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A scholarly edition of over 500 pages written to explore and evaluate Andres Segovia's achievements. Volume One contains a biography of the years of 1893 -1957 and focuses on Segovia's renditions of Renaissance, Baroque and Classical masterpieces by Narvaez, Frescobaldi, Bach, Scarlatti and Sor
This second comprehensive and scholarly volume of over 500 pages on the life and work of Andres Segovia contains a biography of the years 1958-1987 and focuses on Segovia's rendition of Spanish/Romantic and Contemporary/Neo-Classical masterpieces by Tárrega, Albeniz, Granados, Llobet and Ponce. A special appendix in each volume presents the original scores for the Segovia editions discussed in the text, some of which have never been published, as well as modern editions of these pieces. Includes access to an online audio recording by Gerard Garno.
In spring 1456, with the help of the faqīh Yça Gidelli, Juan de Segovia accomplished a trilingual Qur’an (Castilian, Arabic and Latin) he regarded as fundamental to the conversion of the Muslims after the Ottoman conquest of Byzantium. This book delves into Segovia’s program, from his university lectures at Salamanca to the disputes held with Muslims in Castile, from the doctrinal debates at the Council of Basel to his exile in the Duchy of Savoy and the destiny of his books. Segovia deemed the await of miracles, preaching in Islamic lands, and the Crusade promoted by the papacy, to be useless. On the contrary, he considered knowledge of the Qur'an as unavoidable for Christian scholars...
Ophelia Wears Black is a collection of poetry and prose focusing on the shadow aspects and dark side of the human experience through the eyes of a young girl. Divided into four parts, each mirroring the cycling seasons, we follow Ophelia into her own re-imagined Underworld where she learns to make sense of and find the perfection and necessity of her own inner darkness.
Christopher Howse, a writer/assistant editor at The Daily Telegraph, finds that being a pilgrim in Spain is a bigger, more surprising experience than he suspected.
Foreword by Don Wardlaw This exceptional book by Charles Cosgrove and Dow Edgerton will be a rich resource for pastors wanting to reach their congregations in a fresh way. Rather than discussing preaching in general or even a specific approach to preaching, it focuses on a new way of engaging the biblical text for preaching. In Other Words combines Cosgrove and Edgerton's critical acumen, creative imagination, and pastoral discernment to present contemporizing restatements of Scripture, speaking timeless truths in modern speech. In describing their "incarnational translation," the authors invite readers to imagine what the text might have looked like if produced in the preacher's own culture, time, and place. Drawing on translation theory, genre studies, and recent hermeneutical theory, they offer both a comprehensive theory of incarnational translation and a set of specific guidelines and examples for carrying it out.
The Queen who shaped the music, literature, architecture, and painting of late medieval Spain. This multidisciplinary volume was inspired by the quincentenary of the death of Queen Isabel I of Castile, early modern Europe's first powerful queen regnant. Comprising work by distinguished art historians, musicologists, historians, and literary scholars from England, Spain, and the United States, it begins with a theoretical examination of medieval queenship itself that argues - against the grain of the volume - for its inseparability from kingship. Several essays examine the complex ways in which the Queen and her advisers shaped the music, literature, architecture, and painting of fifteenth-ce...
This volume brings the data that many in formal linguistics have dismissed as peripheral straight into the core of syntactic theory. By bringing together experts from syntax, semantics, pragmatics, philosophy of language, language acquisition, aphasia, and pidgin and creole studies, the volume makes a multidisciplinary case for the existence of nonsententials, which are analyzed in various chapters as root phrases and small clauses (Me; Me First!; Him worry?!; Class in session), and whose distinguishing property is the absence of Tense, and, with it, any syntactic phenomena that rely on Tense, including structural Nominative Case. Arguably, the lack of Tense specification is also responsible for the dearth of indicative interpretations among nonsententials, as well as for their heavy reliance on pragmatic context. So pervasive is nonsentential speech across all groups, including normal adult speech, that a case can be made that continuity of grammar lies in nonsentential, rather than sentential speech.
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