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A fully-documented and comprehensive study of an anti-Jewish motif current in Germany for 600 years, in which Jews are shown sucking the teats of a sow. Its aim is to present a case study of an abusive stereotype and its historical development.
This book looks at art historical explorations, matters of archival legitimacy, the survival of fakes and forgeries and many other aspects of Jewish art. It commemorates the life and work of Isaiah Shachar through the medium of papers given at the first international conference on Jewish art.
This book looks at art historical explorations, matters of archival legitimacy, the survival of fakes and forgeries and many other aspects of Jewish art. It commemorates the life and work of Isaiah Shachar through the medium of papers given at the first international conference on Jewish art.
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