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"This is Reformation history as it should be written, not least because it resembles its subject matter: learned, argumentative, and, even when mistaken, never dull."--Eamon Duffy, author of The Stripping of the Altars: Traditional Religion in England, 1400-1580
This volume gathers studies and documentation on Bonaventura Vulcanius, a versatile philologist and writer who in 1581 settled in Leiden as a Professor of Greek and Latin. It includes many unpublished texts pertaining to this mysterious figure Dutch Humanism.
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"The French vision of Rome was initially determined by travel journals, guide books and a rapidly developing trade in antiquities. Against this background, Margaret McGowan examines work by writers such as Du Bellay, Grevin, Montaigne and Garnier, and by architects and artists such as Philibert de L'Orme and Jean Cousin, showing how they drew upon classical ruins and reconstructions not only to re-enact past meanings and achievements but also, more dynamically, to interpret the present. She explains how Renaissance Rome, enhanced by the presence of so many signs of ancient grandeur, provided a fertile source of artistic creativity. Study of the fragments of the past tempted writers to an imaginative reconstruction of whole forms, while the new structures they created in France revealed the artistic potency of the incomplete and the fragmentary.
Havens, Jack Lynch, Shana D. O’Connell, Ingrid Rowland, Walter Stephens, Elly Truitt, Kate Tunstall
The last of the Renaissance humanists, Bonaventura Vulcanius, is still a mysterious figure, even though he left a correspondence, at least two Alba amicorum, and a collection of books and manuscripts. Born in Bruges in 1538, the son of a disciple of Erasmus, he spent the troubled decades of 1560 and 1570 in wanderings before his appointment in 1581 as a Professor for Greek and Latin Letters at the University of Leiden. He edited and translated many a rare text, composed dictionaries, sent laudatory poems, and compiled the first chapters of a history of Germanic languages. This volume gathers recent research on this versatile philologist, and includes the first edition of many unpublished works and documents. Contributors are Karel Bostoen, Hélène Cazes, Thomas M. Conley, Harm-Jan van Dam, Hugues Daussy, Kees Dekker, Jeanine de Landtsheer, Alfons Dewitte, Toon van Hal, Chris L. Heesakkers, Wilhelmina G. Heesakkers-Kamerbeek, Jeltine Ledegang-Keegstra, G.A.C. van der Lem, Kees Meerhoff, Dirk van Miert, Kasper van Ommen, Paul J. Smith and Gilbert Tournoy.
Sifting the available evidence, Carlo Ginzburg builds up a vivid portrait of Piero della Francesca's patrons and convincingly explains the contemporary intrigues resonant in his painting. This new edition, extensively illustrated, includes additional material by Ginzburg dealing with the work of Roberto Longhi, the dating of the Arezzo Cycle, and the rediscovery of della Francesca in the twentieth century.