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The Poetry Bookshop, 1912-1935
The Poetry Bookshop 1912-1935 a bibliography continues the author's interest in smaller British publishing houses of the first half of the century. Founded in December 1912 in London by Harold Monro and remaining in business until 1935, the Poetry Bookshop was one of the most important of these smaller houses, publishing books by Robert Graves, Richard Aldington, Ford Madox Hueffer, F.S. Flint, Eleanor Farjeon, and others, as well as the popular and important series of anthologies, Georgian Poetry. It also published three series of rhyme sheets, two periodicals, and several series of Christmas cards, most of them with color illustrations by well-known illustrators, as well as maintaining an open bookshop that carried the poetical works of other British publishers.
A Checklist of the Hogarth Press, 1917-1946
Bibliographical descriptions of 525 books.
Books Are Made Out of Books
Cormac McCarthy told an interviewer for the New York Times Magazine that "books are made out of books," but he has been famously unwilling to discuss how his own writing draws on the works of other writers. Yet his novels and plays masterfully appropriate and allude to an extensive range of literary works, demonstrating that McCarthy is well aware of literary tradition, respectful of the canon, and deliberately situating himself in a knowing relationship to precursors. The Wittliff Collection at Texas State University acquired McCarthy's literary archive in 2007. In Books Are Made Out of Books, Michael Lynn Crews thoroughly mines the archive to identify nearly 150 writers and thinkers that M...
The Fourth Imagist
This is the first time that a substantial and representative selection of Flint's poetry has been collected. The Introduction supplies important biographical information, and traces how Flint became involved, along with Ezra Pound, Richard Aldington, and H.D., in the Imagist project. There are sixty-three poems drawn from Flint's three published collections of poetry--In the Net of the Stars (1909), Cadences (1915), and Otherworld (1920), and a further twenty-two uncollected or previously unpublished poems, making eighty-five poems in all. The Introduction also offers a sustained and illuminating discussion of the evolution of Flint's art through three volumes. In addition, there are five appendices, among them Flint's important essays, "Imagisme" and "The History of Imagism." The book seeks to establish Flint as a significant contributor to early Modernist poetry, i.e., Imagism, and to reassess the qualities and achievement of an undeservedly overlooked poet.
The Transformation of the Psyche in British Primary Care, 1870-1970
Conflicting models of selfhood have become central to debates over modern medicine. Yet we still lack a clear historical account of how this psychological sensibility came to be established. The Transformation of the Psyche in British Primary Care, 1880-1970 will remedy this situation by demonstrating that there is nothing inevitable about the current connection between health, identity and personal history. It traces the changing conception of the psyche in Britain over the last two centuries and it demonstrates how these changes were rooted in transformed patterns of medical care. The shifts from private medicine through to National Insurance and the National Health Service fostered different kinds of relationship between doctor and patient and different understandings of psychological distress. The Transformation of the Psyche in British Primary Care, 1880-1970 examines these transformations and, in so doing, provides new critical insights into our modern sense of identity and changing notions of health that will be of great value to anyone interested in the modern history of British medicine.
Modernism and Empire
This is the first book to explore the fascinating relationship between literary Modernism and Empire. The book seeks to begin the task of exploring, in a sustained way, the relations between the artistic movement and colonialism. The essays range over subjects and figures such as Ireland, Africa, Joyce, Pound, Townsend Warner, Lawrence and Forster, Kipling, Woolf, and Jean Rhys.
True and Living Prophet of Destruction
Cormac McCarthy's work sounds warnings of impending apocalypse, but it also implies that redemption remains available. Nicholas Monk argues that McCarthy's response to the modern world is more subtle and less laden with despair than many realize, and that his work represents an understanding of the world that transcends the political divisions of right and left, escapes the reductive nature of identity politics, and looks to futures beyond the immediately adjacent. He positions McCarthy as an acute chronicler of the American condition at the beginning of a new century. Tracing the development of modernity, Monk explores the associated political and philosophical undercurrents in McCarthy and identifies how they are generated and what they oppose. He focuses on language, aesthetics, violence, the spiritual, and the natural environment and the animals that inhabit it. He examines the experience of engaging with McCarthy's fiction in order to reveal why so many people report that "reading Cormac McCarthy changed my life."
Legitimizing the Artist
In the late nineteenth and early twentieth centuries, the production of literary and cultural manifestoes enjoyed a veritable boom and accompanied the rise of many avant-garde movements. Legitimizing the Artist considers this phenomenon as a response to a more general crisis of legitimation that artists had been struggling with for decades. The crucial question for artists, confronted by the conservative values of the dominant bourgeoisie and the economic logic of triumphant capitalism, was how to justify their work in terms that did not reduce art to a mere commodity. In this work Luca Somigli discusses several European artistic movements - decadentism, Italian futurism, vorticism, and imag...
The Afterlife
A posthumous collection of literary essays explores the "afterlife" of the writing community, defined as a legacy experienced in the minds and hearts of their readers; in a volume that includes introductions to major works of literature, reviews of fellow authors, and explorations of lesser-known writers. From the late novelist and biographer Penelope Fitzgerald, a collection of essays-almost all of them unknown to her countless American admirers-on books, travel, and her own life and work. A good book, wrote John Milton, is the precious life-blood of a master-spirit, embalmed and treasured up on purpose to a life beyond life. In this generous posthumous collection of her literary essays and...
The Oxford Companion to Twentieth-century Literature in English
Survey of twentieth century English-language writers and writing from around the world, celebrating all major genres, with entries on literary movements, periodicals, more than 400 individual works, and articles on approximately 2,400 authors.
