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This biography of Brazilian journalist and activist Aluízio Ferreira Palmar (b. 1943) tells the remarkable story of a revolutionary who, after surviving torture as a political prisoner during his country’s military dictatorship in the 1960s and 1970s, would go on to devote his life to recovering the memory and documenting the evidence of human rights abuses in Brazil. Palmar’s recounting of his life, in personal interviews with Jacob Blanc as well as from a wide array of source materials, offers a valuable window into how former activists view their place in history. In this context, Blanc initiates the concept of “memory scripts,” which illustrates how scripting and performing a memory can serve as an act of perseverance and power, important for individuals and communities seeking both to heal from and redefine trauma for future activism. Blanc’s book is a singular contribution to literature on dictatorship in Brazil and across Latin America by exploring not only what happened under military rule but also the contested channels through which the memories of these intense and often traumatic events have been sustained, shaped, and retold.
"In The Prestes Column, Jacob Blanc offers a new interpretation of the legendary rebellion, in which a band of rebel officers and soldiers marched 15,000 miles through the vast interior regions of Brazil between 1924 and 1927. Blanc's analysis of the Prestes Column is a showcase of what he calls "interior history." At a pivotal moment in national politics, the long march of the column came to embody the constructed duality of Brazil's interior: a space that was seen by coastal elites as simultaneously backwards-in relation to the more modern coast-and dormant, an expanse of untapped potential waiting to be brought into the nation. Drawing on a range of materials, from officers' memoirs and local eye-witness accounts to physical memorials and government archives, Blanc's framework of interior history helps explain the column's initial rise to fame and also its enduring legacy across the twentieth century, offering a new approach for the study of space and nation"--
An insightful look at how Brazil and Argentina employed national parks to develop and settle frontier areas.
"A transnational approach to the history of a key Latin American border region"--Provided by publisher.
Based on research conducted in archives in six countries, An International History of South America in the Era of Military Rule: Geared for War offers a detailed account of the tensions and fears of war that engulfed South America in the 1970s, when most countries of the region were ruled by military governments. Scholars of contemporary history and international relations, graduate and undergraduate students of Latin American history, and anyone interested in issues of international history will gain from reading this book, which explores the long-standing territorial controversies that underlay international rivalries, the incidence of military thinking in them, and the multifarious effect...
In Before the Flood Jacob Blanc traces the protest movements of rural Brazilians living in the shadow of the Itaipu dam—the largest producer of hydroelectric power in the world. In the 1970s and 1980s, local communities facing displacement took a stand against the military officials overseeing the dam's construction, and in the context of an emerging national fight for democracy, they elevated their struggle for land into a referendum on the dictatorship itself. Unlike the broader campaign against military rule, however, the conflict at Itaipu was premised on issues that long predated the official start of dictatorship: access to land, the defense of rural and indigenous livelihoods, and p...
In Before the Flood Jacob Blanc traces the protest movements of rural Brazilians living in the shadow of the Itaipu dam—the largest producer of hydroelectric power in the world. In the 1970s and 1980s, local communities facing displacement took a stand against the military officials overseeing the dam's construction, and in the context of an emerging national fight for democracy, they elevated their struggle for land into a referendum on the dictatorship itself. Unlike the broader campaign against military rule, however, the conflict at Itaipu was premised on issues that long predated the official start of dictatorship: access to land, the defense of rural and indigenous livelihoods, and p...
Environmental challenges are defining the twenty-first century. To fully understand ongoing debates about our current crises—climate change, loss of biological diversity, pollution, extinction, resource woes—means revisiting their origins, in all their complexity. With this ambitious, highly original contribution to the environmental history of global modernity, Frank Uekötter considers the many ways humans have had an impact on their physical environment throughout history. Ours is not a one-way trajectory to sudden collapse, he argues, but rather death by a thousand cuts. The many paths we’ve forged to arrive in our current predicament, from agriculture to industry to infrastructure...
Through a historical ethnography of Santos, Brazil, Progress in the Balance addresses and assesses an anthropological theory of progress. Observing that anthropology is a progressive discipline with a pessimistic attitude towards progress, Daniel Reichman explains the contested meanings of progress in Brazil and explores how anthropologists and others can define this concept more generally. He investigates how any society can separate "progress" from plain old change and, if change is constantly happening all around us, how and why certain events get lifted out of a normal timeframe and into a mythic narrative of progress. Each chapter outlines a particular episode in the history of Santos, a city undergoing an unprecedented period of economic and political turmoil, as it is represented in public culture, mainly through museums, monuments, art, and public events. Drawing on the anthropology of myth, Reichman proposes a model that he refers to as a "clash of timescapes." Progress in the Balance shows how this concept of "progress" requires a different temporal structure that separates sacralized social change from mundane historical events.
The Battle for Control of the Brass and Instruments Business in the French Industrial Revolution narrates and analyzes the largest judicial battle in culture and industrial property in nineteenth century Europe, the echoes of which still ring today. The battle was about simple wind instruments made of brass and their related patents, not by opera - the musical genre that moved the most money and people at the time - or the revered and contentious high art. Music, in all its dimensions, had become a business. The nineteenth-century French industry of brasswinds shows how the strategic parameters of the Industrial Revolution and, essentially, the system that sustained them (capitalism), permea...