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Shakespeare and the Power of the Face
Throughout his plays, Shakespeare placed an extraordinary emphasis on the power of the face to reveal or conceal moral character and emotion, repeatedly inviting the audience to attend carefully to facial features and expressions. The essays collected here disclose that an attention to the power of the face in Shakespeare’s England helps explain moments when Shakespeare’s language of the self becomes intertwined with his language of the face. As the range of these essays demonstrates, an attention to Shakespeare’s treatment of faces has implications for our understanding of the historical and cultural context in which he wrote, as well as the significance of the face for the ongoing in...
Shakespeare on the University Stage
This collection is the first study of student Shakespeare productions at universities and colleges across the world.
Performing Early Modern Drama Today
Recent performances of early modern plays are analysed in essays by practitioners and academics, featuring critical, pedagogical and practical approaches.
Shakespeare, Romeo and Juliet, and Civic Life
This volume introduces ‘civic Shakespeare’ as a new and complex category entailing the dynamic relation between the individual and the community on issues of authority, liberty, and cultural production. It investigates civic Shakespeare through Romeo and Juliet as a case study for an interrogation of the limits and possibilities of theatre and the idea of the civic. The play’s focus on civil strife, political challenge, and the rise of a new conception of the individual within society makes it an ideal site to examine how early modern civic topics were received and reconfigured on stage, and how the play has triggered ever new interpretations and civic performances over time. The essay...
Shakespeare and the Visual Arts
Drawing on the poetics of intertextuality and profiting from the more recent concepts of cultural mobility and permeability between cultures in the early modern period, this volume’s tripartite structure considers the relationship between Renaissance material arts, theatre, and emblems as an integrated and intermedial genre, explores the use and function of Italian visual culture in Shakespeare’s oeuvre, and questions the appropriation of the arts in the production of the drama of Shakespeare and his contemporaries. An afterword, a rich bibliography of primary and secondary literature, and a detailed Index round off the volume.
Shakespeare and the Force of Modern Performance
This book analyses how Shakespeare is recreated in historical performance.
Performing Blackness on English Stages, 1500-1800
An unusual study of the tradition of blackface in stage performance.
Shakespeare and Laban
Shakespeare's understanding of performance spaces – particularly that of the Globe - is written into the fabric of his plays. Rudolf Laban's movement practice unlocks the physical expressivity of the performer. This book uses Laban's practice to explore an exciting physical connection to Shakespeare's plays in performance. It provides an outline of Laban's key concepts and practices, a discussion of how these can expand and deepen our understanding of how Shakespeare's plays use space, time, and movement, and a wealth of practical exercises drawn from Laban's techniques. This handbook will prove invaluable for anyone performing, teaching, studying or simply wanting a new way to enjoy Shakespeare's plays in performance.
Shakespeare beyond English
Tackling vital issues of politics, identity and experience in performance, this book asks what Shakespeare's plays mean when extended beyond the English language. From April to June 2012 the Globe to Globe Festival offered the unprecedented opportunity to see all of Shakespeare's plays performed in many different world languages. Thirty-eight productions from around the globe were presented in six weeks as part of the World Shakespeare Festival, which formed a cornerstone of the Cultural Olympics. This book provides the only complete critical record of that event, drawing together an internationally renowned group of scholars of Shakespeare and world theatre with a selection of the UK's most celebrated Shakespearean actors. Featuring a foreword by Artistic Director Dominic Dromgoole and an interview with the Festival Director Tom Bird, this volume highlights the energy and dedication that was necessary to mount this extraordinary cultural experiment.
Roots of American Racism
This important new collection brings together ten of Alden Vaughan's essays about race relations in the British colonies. Focusing on the variable role of cultural and racial perceptions on colonial policies for Indians and African Americans, the essays include explorations of the origins of slavery and racism in Virginia, the causes of the Puritans' war against the Pequots, and the contest between natives and colonists to win the other's allegiance by persuasion or captivity. Less controversial but equally important to understanding the racial dynamics of early America are essays on early English paradigmatic views of Native Americans, the changing Anglo-American perceptions of Indian color...
