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About Face
How do we represent ouselves and the cultures we live in? Is it possible to trace any boundaries between reality and self-representation? Because the self represented is the product of a process of selection and choice, in many ways to represent the self is, often simultaneously, to create the self and negate the self. What, then, becomes of the self once it is represented? Because the process of self-representation cumulates in a tangible result and given that any representation of the self is necessarily a construct which aims to render visible or knowable in concrete form the unseen and unknown, self-representation is vulnerable to assessments of its naturalness or artificiality, its hone...
The Coming of the Terror in the French Revolution
Between 1793 and 1794, thousands of French citizens were imprisoned and hundreds sent to the guillotine by a powerful dictatorship that claimed to be acting in the public interest. Only a few years earlier, revolutionaries had proclaimed a new era of tolerance, equal justice, and human rights. How and why did the French Revolution’s lofty ideals of liberty, equality, and fraternity descend into violence and terror? “By attending to the role of emotions in propelling the Terror, Tackett steers a more nuanced course than many previous historians have managed...Imagined terrors, as...Tackett very usefully reminds us, can have even more political potency than real ones.” —David A. Bell, ...
Choosing Death
In this case study of the Republic of Geneva, Jeffrey R. Watt convincingly argues the early modern era marked decisive change in the history of suicide. His analysis of criminal proceedings and death records shows that magistrates of the sixteenth and early seventeenth centuries often imposed penalties against the bodies and estates of those who took their lives. According to beliefs shared by theologian John Calvin, magistrates, and common folk, self-murder was caused by demon possession. Similar views and practices were found among both Protestants and Catholics throughout Reformation Europe. By contrast, in the late eighteenth century many philosophies defended the right to take one's lif...
The Pocket
A New York Times Best Art Book of 2019 “A riveting book . . . few stones are left unturned.”—Roberta Smith’s “Top Art Books of 2019,” The New York Times This fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women’s everyday lives—from duchesses and country gentry to prostitutes and washerwomen—and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women’s stories into intimate focus. “What particularly interests Burman and Fennetaux is the way in which women of all classes have historically used these tie-on pockets as a supplementary body part to help them negotiate their way through a world that was not built to suit them.”—Kathryn Hughes, The Guardian “A brilliant book.”—Ulinka Rublack, Times Literary Supplement
Adventurer
A fast-paced narrative about the world-famous libertine Giacomo Casanova, from celebrated biographer Leo Damrosch “A nuanced, deftly contextualized biography of an adventurer, an opportunist, and a man of voracious appetites . . . another top-notch work from Damrosch.”—Kirkus Reviews (starred review) “An eye-opening and well-informed study of an ‘extraordinary character’ in all his darkness and brilliance.”—Publishers Weekly The life of the iconic libertine Giacomo Casanova (1725–1798) has never been told in the depth it deserves. An alluring representative of the Enlightenment’s shadowy underside, Casanova was an aspiring priest, an army officer, a fortune teller, a con ...
Animal Acts
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Largesse
In 1990 the Department of Graphic Arts at the Louvre made their holdings available to guest curators for a program called Parti Pris, or "Taking Sides". In this program, major cultural figures outside of the discipline of art history organized exhibitions based on the department's collection. Within its first several years, this novel collaboration produced exhibitions curated by philosopher Jacques Derrida and filmmaker Peter Greenaway. Jean Starobinski, noted literary critic and intellectual historian from the University of Geneva, was selected as the third curator in the program. In his exhibition and accompanying essay, Starobinski explores the theme of largesse in its broadest sense. Ar...
Experiencing Exile
The persecution of the Huguenots in France, followed by the revocation of the Edict of Nantes in 1685, unleashed one of the largest migration waves of early modern Europe. Focusing on the fate of French Protestants who fled to the Dutch Republic, Experiencing Exile examines how Huguenot refugees dealt with the complex realities of living as strangers abroad, and how they seized upon religion and stories of their own past to comfort them in exile.
The Right to Dress
Presents a global history of dress regulation and debates around how human life and societies should be visualised and materialised.
Reforming French Culture
In this volume, George Hoffmann presents a study of Protestant satirical texts in sixteenth-century France and their role in French literature and history, examining how France became a culturally Protestant country while remaining confessionally Catholic.
