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Markets and their Actors in the Late Middle Ages
Markets feature prominently in recent research of premodern historians as well as economists. Discussions cover the questions, for example, how a market can be grasp as a place, an event or a mechanism of exchange, or whether premodern economies have just hosted markets or if some of them can even be regarded as market economies. The proposed volume will now turn to the agents who forged and connected markets. Exchange was done between persons and with the help of persons: Artisans, retailers and poor people tried to better their living conditions by engaging on the market, merchants interconnected different markets, urban personnel (such as brokers, men working at the public scales, or the town council as a whole) regulated and facilitated exchange. By focusing on economic practices and the agents who performed them, the volume aims at analyzing the specific characteristics of premodern markets, the reasons why people became active on the market and the institutions which formed exchange processes and were in turn shaped by them.
Empress Galla Placidia and the Fall of the Roman Empire
Despite her status as one of history's most important women, the story of Galla Placidia's life has been largely forgotten. Though the Roman empress witnessed the decline and fall of the Roman Empire in the 5th century and lived a life of almost constant suffering, her actions helped postpone the fall of Rome and had massive, widespread impact on the empire that can still be felt today. She watched the barbarian king Alaric and his horde of Visigoth warriors sack Rome, slaughter many of the city's inhabitants, and take her hostage. Surviving captivity, Galla Placidia became the queen of the barbarians who had imprisoned her. Eventually, she became the only woman to rule the Roman empire alone. Soldiers obeyed her commands while Popes and Christian saints alike sought her advice. Despite all obstacles and likely suffering from what we now know as PTSD, she lived to an old age by the standards of the time. This book uses the letters and writings of Galla Placidia's contemporaries to reconstruct, in more depth and detail than has previously been attempted, the remarkable story of her life and the decline and fall of the Roman Empire.
Latin Classics in Medieval Hungary
The first comprehensive study on the influence of Latin classical texts and traditions in medieval Hungary based on philological and historical analysis of eleventh century sources. The author proves that the Latin classics had a stronger impact on the formation of Latin literacy in medieval Hungary than it has been acknowledges before. The four chapters of the book (The Cathedral School, The Admonitions of King Saint Stephen of Hungary, The Deliberato of Bishop Saint Gerard of Csanad, The Monastic School) provide important contributions to the philological study of Medieval Latin and the classical tradition in medieval Central Europe.
Musica Naturalis
A critical study of the relationship between poetics and music theory in medieval culture and aesthetics. Musica Naturalis delivers the first systematic account of speculative music theory as a discursive horizon for literary poetics. The title refers to the late medieval French poet Eustache Deschamps, whose 1392 treatise on verse writing, L'Art de Dictier, famously casts verse as “natural music” in explicit distinction to song, which Deschamps defines as “artificial.” Philipp Jeserich links the significance of the speculative branch of medieval musicology to literary theory and literary production, opening up a field of study that has been largely neglected. Beginning with Augustin...
Push Me, Pull You
Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church’s prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional exper...
Balthasar on the 'Spiritual Senses'
Examines Balthasar's recovery of the doctrine of the spiritual senses in the mid-20th century, focusing on his model of the perceptual faculties through which one beholds the form that God reveals.
Visual Aggression
Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood. Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passio...
Givenness and Revelation
Givenness and Revelation represents both the unity and the deep continuity of Jean-Luc Marions thinking over many decades. This investigation into the origins and evolution of the concept of revelation arises from an initial reappraisal of the tension between natural theology and the revealed knowledge of God or sacra doctrina. Marion draws on the re-definition of the notions of possibility and impossibility, the critique of the reification of the subject, and the unpredictability of the 'event' in its relationship to the phenomenology of the gift. This work begins and ends in the concept of revelation, thus addressing the very heart and soul of Marion's theology, concluding with a phenomenological approach to the Trinity that rests in the Spirit as gift. Givenness and Revelation enhances not only our understanding of religious experience, but enlarges the horizon of possibility of phenomenology itself.
Methodius of Olympus
Methodius of Olympus († ca. 311 CE) is regarded as a key author in 3rd c Christian theology. In recent years, his works have become objects of intense research interest on the part of Church historians, classical Greek and Paleoslavic philologists, and scholars of Armenia. The essays in this volume examine the current state of research, enhance our understanding of Methodius with valuable new information, and open up new research perspectives.
Ecce Homo
Interacting with theologians throughout the ages, Riches narrates the development of the church's doctrine of Christ as an increasingly profound realization that the depth of the difference between the human being and God is realized, in fact, only in the perfect union of divinity and humanity in the one Christ. He sets the apostolic proclamation in its historical, theological, philosophical, and mystical context, showing that, as the starting point of "orthodoxy," it forecloses every theological attempt to divide or reduce the "one Lord Jesus Christ."
