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Jesuit Series
This bibliography encompasses all extant books of emblems, works illustrated with emblems, and books dealing with the theory and practice of emblematics written by members of The Society of Jesus. Also included are translations and adaptations in all languages of Jesuit works by Catholics and non-Catholics alike. This bibliography will be to Jesuit emblematics what De Backer-Sommervogel is to the writings of The Society of Jesus. The complete Jesuit Series will probably comprise some 1,700 entries: about 500 first editions and a further 1,200 subsequent editions, issues, and translations. Many books are described here for first time. Of the 240 titles in this volume, 121 do not appear in Praz, 93 not in Landwehr, and 54 not in De Backer-Sommervogel. Part One also contains a substantial introduction to the various information fields that constitute the bibliographic descriptions.
The Surrender of Ethan Moses
My name is Levi. I am an angel prince sent to Earth to protect the fold, ensure God's providences, retaliate against God's foes, and do God's bidding for the redeemed in Christ. This is the story of one of my charges as he endeavors to glorify God and humbly serve man. Ethan Moses does not live the typical sedentary Christian life. In his quest to serve God, Ethan meets with many obstacles. He builds a church only to see it burn to the ground. He encounters racism and bigotry of the worst kind. He struggles to find his soul mate after losing her once before. But through all this, Ethan never loses sight of God's wonderful ability to turn what seems disastrous into a marvelous blessing. The S...
The Emblem in Early Modern Europe
The emblem was big business in early-modern Europe, used extensively not only in printed books and broadsheets, but also to decorate pottery, metalware, furniture, glass and windows and numerous other domestic, devotional and political objects. At its most basic level simply a combination of symbolic visual image and texts, an emblem is a hybrid composed of words and picture. However, as this book demonstrates, understanding the precise and often multiple meaning, intention and message emblems conveyed can prove a remarkably slippery process. In this book, Peter Daly draws upon many years’ research to reflect upon the recent upsurge in scholarly interest in, and rediscovery of, emblems fol...
Chinese Animation
With an output of more than 250,000 minutes annually, and with roughly 5,000 producers and production units, the Chinese are leading the field of animated films. Although it is almost impossible to completely cover 90 years of filmmaking, this book provides a comprehensible introduction to the industry's infancy, its Golden Age (Shanghai Animation Film Studio) and today's Chinese animation (in feature films, television series and student films). There are classics such as Princess Iron Fan (made at the time of the Japanese occupation) and the color Havoc in Heaven, both starring the Monkey King Sun Wukong, as well as countless TV stars (Blue Cat, Pleasant Goat and Big Big Wolf) and many almost unknown works by young filmmakers who are not focusing on an audience of children (like most of the industry output).
The Italian Emblem
The Italian Emblem: A Collection of Essays is the twelfth in the series 'Glasgow Emblem Studies'. This volume is linked to a project for the study and digitization of Italian emblem books held in the Stirling Maxwell Collection (Glasgow), financed by the Sixth EU Framework Programme for activities in the field of research. It aims at exploring the history, forms, themes of the Italian emblem tradition, with particular attention to sixteenth-century emblem books and their open, multifaceted, and metamorphic nature. To capture this nature, the volume includes contributions from different disciplines, ranging from literature to history of art and political philosophy, supplied by the following distinguished scholars: Guido Arbizzoni (University of Urbino 'Carlo Bo'), Monica Calabritto (Hunter College, CUNY), Giuseppe Cascione (University of Bari), Sonia Maffei (University of Bergamo), Anna Maranini (University of Bologna), Liana de Girolami Cheney (University of Massachusetts Lowell), Silvia Volterrani (CTL-Scuola Normale Superiore, Pisa). French text.
Emblems and Impact Volume II
The art of the emblem is a pan-European phenomenon which developed in Western and Central Europe in the early modern period. It adopted meanings and motifs from Antiquity and the Middle Ages as part of a general humanistic impulse. Technological developments in printing that permitted the combination of letterpress with woodblock, and later copperplate, images, ensured that the emblem spread rapidly by way of printed collections. With time, emblematic ideas moved beyond Europe, conveying their insights and wisdom in the compact form of the book. These same books came to influence artists and designers working in the decoration of buildings, furniture, and household items, so that emblems ent...
Jacob Smits
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