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In the first fractions of a second after the Big Bang lingers a question at the heart of our very existence: why does the universe contain matter but almost no antimatter? The laws of physics tell us that equal amounts of matter and antimatter were produced in the early universe—but then something odd happened. Matter won out over antimatter; had it not, the universe today would be dark and barren. But how and when did this occur? In The Mystery of the Missing Antimatter, Helen Quinn and Yossi Nir guide readers into the very heart of this mystery—and along the way offer an exhilarating grand tour of cutting-edge physics.
James William's varied use of media, subject matter, and stylistic approach to his artwork is astonishingly diverse. Nevertheless, there is a commonality to his work after all: An often understated humor and a deeply ironic juxtaposition can be found in nearly all of his artwork. Most pieces of artwork in this collection tell a story and are certainly interesting in their own right, but the real delight with James William's work is sharing it with others and watching their reactions or depth of observation. This multilayered and shared amusement is gives deeper experiential depth to James William's work. I hope you enjoy the selected works enclosed in these pages. Many of these pieces have not been publicly displayed before. Look through it - closely - then share what you have discovered with others to continue the amusement and story. James William's art showcased in Scintillating Portals into the Fantastic will certainly not disappoint!
This book is a primer about the leading-edge approach to maintenance operations known as Maintenance Resource Management (MRM) - a partnership of manager, doer and regulator. MRM programs at several leading carriers are reducing maintenance errors and improving the professional caliber of mechanics and managers. Although communication and coordination issues have only recently been considered as important as technological advances in the aviation community, airlines have realized that a fix exists for maintenance communications problems. The "bottom-up" technique of MRM has successfully addressed these problems through more effective sharing of information among all employees. In addition to describing the best practices now taking hold in the aviation industry, Taylor and Christensen look at what lies ahead and what the industry will need to do to match the high performance work systems in the best high-tech industries around the world.
NSA is a comprehensive collection of international nuclear science and technology literature for the period 1948 through 1976, pre-dating the prestigious INIS database, which began in 1970. NSA existed as a printed product (Volumes 1-33) initially, created by DOE's predecessor, the U.S. Atomic Energy Commission (AEC). NSA includes citations to scientific and technical reports from the AEC, the U.S. Energy Research and Development Administration and its contractors, plus other agencies and international organizations, universities, and industrial and research organizations. References to books, conference proceedings, papers, patents, dissertations, engineering drawings, and journal articles from worldwide sources are also included. Abstracts and full text are provided if available.
In 1995, Peter Johnson went looking for a rare set of petroglyphs located on the outer coast of Vancouver Island near an abandoned whaling village. Encouraged by archival research that yielded court records, 90-year-old correspondence and a tantalizing 1926 newspaper article, Peter sought to tie these glyphs to the 1869 wreck of the trading barque John Bright and the bizarre colonial trial that followed. He found more questions than answers. Why, for example, were two Nuu-chah-nulth men so readily hung from a gallows erected in front of their village at Hesquiat? And how did this event relate to the rock carvings that Peter knew existed in a cove many miles south, along the life-saving West Coast Trail by the Graveyard of the Pacific? This story explores the significance of particular petroglyphs, colonial injustice and the European trading mentality on the west coast at the time of contact. Peter interweaves a personal journal with historical narrative in order to produce a lively account of the relationship between our coastal history and a little-known Aboriginal art form.
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