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Paddling the Boreal Forest
The boreal forest of Quebec/Labrador -- some of the most rugged and isolated land in Canada -- has captivated avid canoeists for generations. In the latter 19th and early 20th centuries, the intrepid A.P. Low of the Geological Survey of Canada spent, in total, more than ten years of his working life surveying the area. Employing Aboriginal canoemen and guides, he travelled by canoe, snowshoe and sailing vessel to map and document much of this vast territory. Challenged by the mystique of this extraordinary Canadian, canoeists Max Finkelstein and James Stone retraced Low's routes -- by their admission, their toughest canoe trip ever! Using archival sources, oral history and personal experienc...
So Obstinately Loyal
The biography of James Moody, a once-famous, even infamous, partisan of Britain during the American Revolutionary War.
Drawing on the Land
Chaplin was not only an acute observer of life around her, but also a competent artist. Mrs. Chaplin's diaries are sometimes amusing, almost always insightful, and occasionally tedious, but they reveal much about the colonial society of British North America between 1838 and 1842, as well as about the boisterous United States. Like a latter-day Jane Austen, Chaplin was highly xenophobic and an intense anglophile, and her diaries show her interest in manners, breeding, crops, gardens, and scenery. Chaplin's impressions of America demonstrate an active and inquiring mind, though not necessarily an open and receptive one. She was interested in canals, steamboats, hotel accommodation, railways, and travel by stagecoach. She was a very Victorian woman, interested in progress but confident in the correctness of her sense of social propriety.
Framing Our Past
Reflecting a rethinking of the making of modern Canada, this well- illustrated anthology of 85 essays reaches beyond ivory tower images and taken for granted assumptions of women's roles. This sampling by primarily women contributors, drawn from personal and organizational records, emphasizes the experiences of diverse women engaged in all spheres of private and public life: from a vignette of Native community life, to profiles of innovators in many fields. Includes a cross-referenced essay index. 10 x 9.5 " format. Cook is a professor of education at the U. of Ottawa. c. Book News Inc.
Northern Exposures
To many, the North is a familiar but inaccessible place. Yet images of the region are within easy reach, in magazine racks, on our coffee tables, and on television, computer, and movie screens. In Northern Exposures, Peter Geller uncovers the history behind these popular conceptions of the Canadian North.
Executive Documents
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Picturing the Land
The vast Canadian landscape has captured the imagination of visual artists since the first European contact. Although artistic engagement with the landscape has a long history, some periods have drawn considerable critical attention, while others have been left almost unexamined. Picturing the Land surveys work from coast to coast, from the earliest maps to postwar painting in English and French Canada, To provide a comprehensive view of Canadian landscape art. Emphasizing the ways in which social, economic, and political conditions determine representation, Marylin McKay moves beyond canonical images and traditional nationalistic interpretations by analyzing Canadian landscape art in relation to different concepts of territory. Taking an expansive and inclusive perspective on Canadian landscape art, McKay depicts this tradition in all its diversity and draws it into the larger body of Western landscape art, broadening the horizon of future study, appreciation, and criticism. Richly illustrated and filled with sophisticated and innovative commentary, Picturing the Land provides new and distinct histories of the landscape art of French and English Canada.
Framing the West
Framing the West argues that photography was intrinsic to British territorial expansion and settlement on the northwest coast. Williams shows how male and female settlers used photography to establish control over the territory and its indigenous inhabitants, as well as how native peoples eventually turned the technology to their own purposes. Photographs of the region were used to stimulate British immigration and entrepreneuralism, and imagies of babies and children were designed to advertise the population growth of the settlers. Although Indians were taken by Anglos to document their "disappearing" traditions and to show the success of missionary activities, many Indians proved receptive to photography and turned posing for the white man's camera to their own advantage. This book will appeal to those interested in the history of the West, imperialism, gender, photography, and First Nations/Native America. Framing the West was the winner of the Norris and Carol Hundley Prize of the Pacific Coast Branch of the American Historical Association.
