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Contains miscellaneous writings and publications related to the career of James D. Ross, former superintendent of Seattle City Light (at the time called the Lighting Department). Includes biographical materials compiled by third parties, writings by Ross related to public ownership of utilities, transcripts of radio talks by Ross, and an obituary for Ross published in the Bonneville Spark. Also includes four photographs. Material created as a reference collection in the City Light Superintendent's office.
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An important amount of research effort in psychology and neuroscience over the past decades has focused on the problem of social cognition. This problem is understood as how we figure out other minds, relying only on indirect manifestations of other people's intentional states, which are assumed to be hidden, private and internal. Research on this question has mostly investigated how individual cognitive mechanisms achieve this task. A shift in the internalist assumptions regarding intentional states has expanded the research focus with hypotheses that explore the role of interactive phenomena and interpersonal histories and their implications for understanding individual cognitive processes...
Whether you're a regular cottage-goer or have fond memories from childhood, Cottage Daze will bring the warmth of the campfire and the musty pine smell of an old cabin to life no matter where you read it.
The personalities, experiences and consequences of the expedition are considered in the light of historical perspective for the first time since the publishing of the official account in 1847.
Fall of the Derwent is a ficti'nella composed by artists Justy Phillips and Margaret Woodward. The score forms a part of a larger public artwork, a published event, commissioned and presented by GASP (Glenorchy Art & Sculpture Park) Tasmania, as part of Swimmable: Reading the River 2015?17. www.gasp.org.au The commission also includes Walking the River(s) Derwent (2015?16); A river settles its own cairns underwater (2016) and Black Market Symposium (2017). Documentation of the complete ficti'nella can be found at www.fallofthederwent.netThe walks came first. One after another. Then came the Fall. Each download of this score reflects the current percentage of Energy in Storage (Hydro Tasmania) in the River Derwent system in Tasmania.
Called by Raymond Chandler “a sleazy, corrupt but completely believable story of a North Carolina town,” this tough, realistic novel exemplifies Depression literature in the United States. Falling somewhere between the hard-as-nails writing of James M. Cain and the early stories of Ernest Hemingway, James Ross’s novel was for sheer brutality and frankness of language considerably ahead of his reading public’s taste for realism untinged with sentiment or profundity. In his brilliant Afterword to this new edition, George V. Higgins, author of the recent best-seller Cogan’s Trade, pays tribute to Ross for his courage in telling his story truthfully, in all its ugliness. The setting of They Don’t Dance Much is a roadhouse on the outskirts of a North Carolina town on the border with South Carolina, complete with dance floor, restaurant, gambling room, and cabins rented by the hour. In the events described, Smut Milligan, the proprietor, seeks money to keep operating and commits a brutal murder.