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Visiting Wallace
A collection of seventy-six poems inspired by poet Wallace Steven's life and work, written by a variety of modern poets.
James Merrill Poems
"James Merrill once called his body of work "chronicles of love and loss," and in twenty books written over four decades he used the details of his own life--comic and haunting, exotic and domestic--to shape a portrait that in turn mirrored the image of our world and our moment. Like Wallace Stevens and W. H. Auden before him, Merrill sought to quicken the pulse of a poem in surprising and compelling ways--ways, indeed, that changed how we came to see our own lives. Years ago, the critic Helen Vendler wrote of Merrill, "He has become one of our indispensable poets." This volume brings together an entirely new pocket-sized selection of the best of Merrill's work."
Selected Poems of James Merrill
This volume brings together the best of Merrill—and dazzles at every turn. This balanced and compact selection will be an ideal introduction to his work for both students and general readers, and an instant favorite among his familiars. James Merrill himself once called his body of work “chronicles of love and loss,” and in twenty books written over four decades he used the details of his own life—comic and haunting, exotic and domestic—to shape a portrait that in turn mirrored the image of our world and our moment. Includes poems from the domestic rupture of “The Broken Home” to the universal connections of “Lost in Translation”; from the American storyteller of “The Summer People” to the ecologically motivated satirist of “Self-Portrait in a TyvekTM Windbreaker.” Log Then when the flame forked like a sudden path I gasped and stumbled, and was less. Density pulsing upward, gauze of ash, Dear light along the way to nothingness, What could be made of you but light, and this?
A Whole World
A NEW YORK TIMES NOTABLE BOOK OF THE YEAR • The selected correspondence of the brilliant poet, one of the twentieth century's last great letter writers. "I don't keep a journal, not after the first week," James Merrill asserted in a letter while on a trip around the world. "Letters have got to bear all the burden." A vivacious correspondent, whether abroad, where avid curiosity and fond memory frequently took him, or at home, he wrote eagerly and often, to family and lifelong friends, American and Greek lovers, confidants in literature and art about everything that mattered—aesthetics, opera and painting, housekeeping and cooking, the comedy of social life, the mysteries of the Ouija boa...
The Wallace Stevens Case
Wallace Stevens was not only one of America's outstanding modernist poets but also a successful insurance lawyer--a fact that continues to intrigue many readers. Though Stevens tried hard to separate his poetry from his profession, legal theorist Thomas Grey shows that he did not ultimately succeed. After stressing how little connection appears on the surface between the two parts of Stevens's life, Grey argues that in its pragmatic account of human reasoning, the poetry distinctively illuminates the workings of the law. In this important extension of the recent law-and-literature movement, Grey reveals Stevens as a philosophical poet and implicitly a pragmatist legal theorist, who illustrat...
Merrill: Poems
A beautiful hardcover selection of poems by one of the giants of contemporary American poetry. EVERYMAN'S LIBRARY POCKET POETS. James Merrill once called his body of work "chronicles of love and loss," and in twenty books written over four decades he used the details of his own life--comic and haunting, exotic and domestic--to shape a portrait that in turn mirrored the image of our world and our moment. Like Wallace Stevens and W. H. Auden before him, Merrill sought to quicken the pulse of a poem in surprising and compelling ways--ways, indeed, that changed how we came to see our own lives. Years ago, the critic Helen Vendler wrote of Merrill, "He has become one of our indispensable poets." This volume brings together an entirely new pocket-sized selection of the best of Merrill's work. His poetry dazzles at every turn, and this balanced and compact selection will be an ideal introduction to the work for both students and general readers, and an instant favorite among his familiars.
The Changing Light at Sandover
Mystical poems explore the author's experiences communicating with a spirit named Ephraim through an Ouija board
James Merrill
James Merrill: Knowing Innocence reevaluates the achievement of this important poet by showing how he takes up an old paradigm – innocence – and reinvents it in response to new historical, scientific, and cultural developments including the bomb, contemporary cosmology, and the question of agency. The book covers Merrill’s full career, emphasizing the late poetry, on which there remains little commentary. Illuminating both Merrill’s relation to a tradition of literary innocence from Milton to Blake and Wordsworth to Emerson and Stevens, and his relevance to contemporary cultural debates, the rubric of "knowing innocence" helps us to understand his achievement. Merrill undertakes a ca...
Late Settings
James Merrill has come to be regarded as one of the outstanding American poets of the 20th century with the publication of his Changing Light at Sandover, a grand, narrative poem in its complete form, and From the First Nine, Poems 1946-1976, a full selection from his first nine books of poems. In Late Settings he has produced another book of poems of the greatest distinction. Included in this collection is a set of six poems called "From the Cutting-room Floor." Another amazing long poem "Santorini: Stopping the Leak" (originally published, minus two stanzas, in The New Yorker) is included in its entirety. Merill's works have been honored with several awards: two National Book Awards, the Bollingen Prize in Poetry, the Pulitzer Prize, and the Book Critics Circle Award. ISBN 0-689-11572-5 : $12.95.
