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The novels of Paul Auster—finely wrought, self-reflexive, filled with doublings, coincidences, and mysteries—have captured the imagination of readers and the admiration of many critics of contemporary literature. In Beyond the Red Notebook, the first book devoted to the works of Auster, Dennis Barone has assembled an international group of scholars who present twelve essays that provide a rich and insightful examination of Auster's writings. The authors explore connections between Auster's poetry and fiction, the philosophical underpinnings of his writing, its relation to detective fiction, and its unique embodiment of the postmodern sublime. Their essays provide the fullest analysis ava...
Dissertation im Fachbereich Nordamerikanische Literatur und Kultur der Universität des Saarlandes. The Implosion of Negativity ist die erste Monografie zu Paul Austers Frühwerk. Bis 1980 betätigte sich Auster zehn Jahre lang fast ausschließlich als Lyriker, um danach nie wieder ein Gedicht zu veröffentlichen. The Implosion of Negativity versucht zu ergründen, wie es zu diesem Bruch kam, und analysiert detailliert Austers poetisches Vorleben. Dabei werden bislang unbeachtete Einflüsse wie Martin Buber und Paul Celan zutage gefördert. Die abschließende Untersuchung von The New York Trilogy zeigt exemplarisch, welche neuen interpretatorischen Ansätze die Kenntnis von Austers vergessen...
The novels of Paul Auster have captured the imagination of readers and the admiration of many critics of contemporary literature. In Beyond the Red Notebook, the first book devoted to the works of Auster, an international group of scholars provide a rich and insightful examination of Auster's writings.
Fiction. FIELD REPORT begins in affirmation and ends in doubt. Between start and finish there are archaic dictions and near-invented languages, simplistic jokes that a seven-year-old might tell and visions of what might be astonishments. One sentence states: What wondrous things words--what, the optimal word here, turns the statement toward a question, one left long unanswered. The twenty stories in this book comprise a field report filed by an anthropologist, providing a concise and complete outline of culture as seen through the tri-lens of sensation, perception and vision. Along the way some pancakes, frogs and gelato get mixed into our favorite pot--or is it plot? One particularly effusive informant offers a wealth of information--passionate in its despair, and the reader might find it--in response--not too late to consider the world presented in FIELD REPORT with a touch of mercy.
New Hungers for Old is a remarkable achievement. Individually evocative and collectively superb, the poems illuminate an immense variety of Italian American voices and experiences. Yet they also extend well beyond the scope of a single ethnic category. This is that rare, thoughtful anthology for all readers wishing to reflect on the treasures and tragedies of the universal human condition.Chandra Prasad, author of On Borrowed Wings: A Novel end editor of Mixed: An Anthology of Short Fiction on the Multiracial ExperienceDennis Barone has produced a book of great beauty and importance that should be read by anyone who cares about American as well as Italian American writing. It offers a cornuc...
Fiction. These seventeen stories ranging in length from a single paragraph to fifty pages explore issues of voice and silence, identity and its erasure in a style that is often poetic, frequently dark and somber, and occasionally humorous. From many different narrative perspectives, the author offers a jeremiad of sorts, urging readers to examine their own virtues and vices before venerating or condemning others. The title story, for example, describes the difficulties faced by a young woman veterinarian in the Netherlands. Not all of her problems originate with the men she meets who are skeptical about a woman's ability to work with large farm animals. In this bildungsroman of thematic oppo...
Fiction. I love this book! Dennis Barone is a genius. The verbal, rhetorical, gestural, imaginative resources he orchestrates--or is it choreo-graphs?--or is it paints?--in ON THE BUS: SELECTED STORIES, exhilarate at every turn, and the turns (riffs, digressions, conflations, elaborations, subtractions, puns, and so on), tumble forth pell-mell, helter-skelter, topsy-turvy. 'Much Madness is divinest Sense--' became my constant comment reading these linguistically rich, emotionally wide-ranging and truly varying stories. Dickinson qualifies her madness definition with 'To a discerning Eye--'. Don't fret if you've not got one--in the convention of all breakthrough texts, Barone's prose instructs on the fly. 'Her whims, we said in those days, are our whereabouts'--and this, 'He doesn't so much wear the turtlenecks as stuffs them with the being that he calls himself': just two of Barone's ten thousand sentences of pure aesthetic pleasure. The Madness here is not to be missed--it's a celebration of language quo language married to the texture of existence.--Gray Jacobik
Poetry. Fiction. Art. A book of lyric essays and prose poems seeking truth through fragments and spectrums.
"...an open-form, subtly off-beat narrative, a mixture of poetry and prose, of memory and concrete, image-filled metaphysics."--Publisher's website.
Leaving Little Italy explores the various forces that have shaped and continue to mold Italian American culture. Early chapters offer a historical survey of major developments in Italian American culture, from the early mass immigration period to the present day, situating these developments within the larger framework of American culture as a whole. Subsequent chapters examine particular works of Italian American literature and film from a variety of perspectives, including literary history, gender, social class, autobiography, and race. Paying particular attention to how the individual artist's personality has intersected with community in the shaping of Italian American culture, the book reveals how and why Italian America was invented and why Little Italys must ultimately disappear.