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This monograph assesses the position of James Stirling, Michael Wilford and Associates in 1993, revealing their plans to continue the high quality of work, despite the death of Sir James Stirling. A selection of built, in-progress and as yet unrealized projects for the future is presented.
A review of the work of the late James Stirling and Michael Wilford. Critical appraisals, technical data and illustrations record many of the buildings they designed, including the Staatsgalerie, Stuttgart, the Science Centre in Berlin, and the Clore Gallery for the Tate Gallery, London.
James Stirling and Michael Wilford realised a significant body of work during their partnership. Considered one of the most important international architectural practices of the twentieth century, Stirling and Wilford made an exceptional contribution to contemporary architecture. Young, radical and eccentric, their work rejected the prevalent orthodoxy of the International Style, revisiting instead the early masters of heroic Modernism and achieving legendary status amongst a younger generation of architects. With early work in the UK and then Europe, from the late 1970s the practice designed buildings at four American Universities: Harvard, Rice, Cornell and UC Irvine, as well as a number ...
Sir James Stirling was arguably the greatest British architect of the twentieth century. This book provides the most comprehensive critical survey of Stirling's work to date, charting the development of his ideas from his formative years, through his partnership with James Gowan, on to his period in practice as sole partner; and finally, his partnership with Michael Wilford. Using archival material, extensive interviews with his partners and others who worked for him, together with analytical examination of key buildings, this detailed critical examination explains his philosophy, working method and design strategy. In doing so, it sheds new light on the atelier structure of his office and w...
The British architect James Frazer Stirling (1924–1992) stimulated impassioned responses among both supporters and detractors, and he continues to be the subject of fierce debate. He earned international renown through such innovative—and frequently controversial—projects as the Leicester University Engineering Building (1959–63); the History Faculty building at Cambridge University (1964–67); the Neue Staatsgalerie, Stuttgart (1977–84); the Clore Gallery at Tate Britain (1984); and the Arthur M. Sackler Museum at Harvard University (1979–84). Stirling was also a visiting professor at the Yale School of Architecture, where he trained and influenced many of the current leaders i...
An illuminating look at a controversial architectural style – and its finest examples Post-modernism was the 1980s’ counter to Brutalism but fell out of fashion until its best buildings began to disappear. Now is the time to reassess its values. Historians Geraint Franklin and Elain Harwood discuss its background and key architects before celebrating Britain's finest examples. Individual entries are beautifully illustrated, many with new photography, including the SIS Building made famous by James Bond, John Outram’s awe-inspiring pumping station in London's Docklands and Judge Institute in Cambridge, and the late works of James Stirling and Michael Wilford, including No.1 Poultry – an extraordinary corner of the City that in 2016 became England’s youngest listed building.
Reality Modeled After Images: Architecture and Aesthetics after the Digital Image explores architecture’s entanglement with contemporary image culture. It looks closely at how changes produced through technologies of mediation alter disciplinary concepts and produce political effects. Through both historical and contemporary examples, it focuses on how conventions of representation are established, maintained, challenged, and transformed. Critical investigations are conjoined with inquiries into aesthetics and technology in the hope that the tensions between them can aid an exploration into how architectural images are produced, disseminated, and valued; how images alter assumptions regarding the appearances of architecture and the environment. For students and academics in architecture, design and media studies, architectural and art history, and related fields, this book shows how design is impacted and changed by shifts in image culture, representational conventions and technologies.
Previously unpublished writings by and about James Stirling (1924-1992), arguably the most influential and controversial post-war British architect.