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For, From, about James T. Whitehead
When James T. Whitehead (or “Big Jim,” as friends knew him) passed away in 2003, Fayetteville and the University of Arkansas lost one of its finest poets and beloved teachers. In 1965, Whitehead joined with his friend William Harrison to found the University’s Creative Writing Program. He taught in that nationally prestigious program for the next thirty-four years, from 1965 to 1999. He was a recipient of a Guggenheim Fellowship in fiction and a Robert Frost Fellowship in poetry. Whitehead’s novel, Joiner (University of Arkansas Press), was listed among the New York Times’ Noteworthy Books of 1971. His many poetry collections include Domains (1967), Local Men (1979), and Near at Hand (1993). With his untimely passing, Whitehead left a large body of work unpublished. In this anthology of original poetry, short fiction, essays, and remembrances, twenty-four of Whitehead’s colleagues, students, and friends join in celebrating the man’s life and contribution to American letters. Included are posthumous works by Whitehead himself: six poems, an excerpt of creative nonfiction, and a draft-excerpt from Coldstream, projected sequel to Joiner.
Near at Hand
James Whitehead's third volume of poetry, Hear at Hand, is a compelling collection of meditative and narrative poems. A master at weaving colloquial language into polished lines, Whitehead always evokes a sense of place in his poems. They are peopled by vivid, authentic characters--a district attorney, a judge, a country music star, a college traveler, the poet himself, among others. Herein are love poems, elegics, satires, and poems that reckon with the question of God. There is obsession and humor and dread, and there is also joy.
Joiner
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Madness and the Romantic Poet
Madness and the Romantic Poet examines the longstanding and enduringly popular idea that poetry is connected to madness and mental illness. The idea goes back to classical antiquity, but it was given new life at the turn of the nineteenth century. The book offers a new and much more complete history of its development than has previously been attempted, alongside important associated ideas about individual genius, creativity, the emotions, rationality, and the mind in extreme states or disorder - ideas that have been pervasive in modern popular culture. More specifically, the book tells the story of the initial growth and wider dissemination of the idea of the 'Romantic mad poet' in the nine...
Local Men
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World of Warcraft Programming
The #1 bestselling programming book is back with updated and expanded coverage of the newest release of WoW! World of Warcraft (WoW) is currently the world's largest massively multiplayer online role-playing game. The newest release, "Wrath of the Lich King," has created a demand for updated information on writing addons. This eagerly anticipated edition answers that request and is an essential reference for creating WoW addons. Written by a duo of authors who have each contributed a number of successful WoW addons, the book offers an overview of Lua and XML (the programming languages used to write addons) and includes coverage of specific pitfalls and common programming mistakes-and how to ...
William James, Pragmatism, and American Culture
“Continues and adds to a rich conversation among American philosophers concerning the origins of pragmatism and its possibilities for the future.” —William Gavin, University of Southern Maine William James, Pragmatism, and American Culture focuses on the work of William James and the relationship between the development of pragmatism and its historical, cultural, and political roots in nineteenth-century America. Deborah Whitehead reads pragmatism through the intersecting themes of narrative, gender, nation, politics, and religion. As she considers how pragmatism helps to explain the United States to itself, Whitehead articulates a contemporary pragmatism and shows how it has become a powerful and influential discourse in American intellectual and popular culture.
Bad Music
This book develops from Bad Music - The dogma of Modern Music/Art via Deleuze to Common music, Heidegger and the Ready at Hand and from this the idea of the unidentified individual, the Transcendent and The Divinity of Insatiable Desire.
