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Insular Iconographies
Essays on aspects of iconography as manifested in the material culture of medieval England.
Northumbria's Golden Age
Northumbria enjoyed a Golden Age during the 7th and 8th centuries. This volume contains contributions from leading scholars which present new insights into this period based on the latest documentary research and archaeological discoveries.
The Selective Environment
The complex art of architecture embraces all of the concerns of the world's cultures. It meets the fundamental needs for shelter from the elements, but, almost from its origins, has acquired other purposes and meanings. The Selective Environment is an approach to environmentally responsive architectural design that seeks to make connections between the technical preoccupations of architectural science, and the necessity, never more urgent than today, to sustain cultural identity at a time of rapid global, technological change.
The Art, Literature and Material Culture of the Medieval World
This volume challenges traditional perceptions of the Medieval, exploring the many ways in which it was actively transformatory and how ideas of change are reflexively understood within academic discourse. The Medieval was long viewed as an unenlightened counterpoint to the 'Classical' and the 'Renaissance', being perceived as static and monolithic compared to their pivotal dynamism. Despite this, the Medieval period witnessed immense transition and transformation, change and development, producing significant and challenging material. Here, the wider debate about cultural crossroads and understandings in the Medieval period is readdressed, to ask what the Medieval was, is and might be. -- From publisher's website.
Art, Image, Power and Place
Ground-breaking overview of the complete corpus of Anglo-Saxon stone sculpture in England, its development, production, patronage, distribution, patterns of form, design and motif.
The Insular Tradition
"A breadth of interdisciplinary voices" discuss how geographical insularity - specifically that of Britain and Ireland - has affected artistic tradition.
Anglo-Saxon Styles
Art historian Meyer Schapiro defined style as "the constant form—and sometimes the constant elements, qualities, and expression—in the art of an individual or group." Today, style is frequently overlooked as a critical tool, with our interest instead resting with the personal, the ephemeral, and the fragmentary. Anglo-Saxon Styles demonstrates just how vital style remains in a methodological and theoretical prism, regardless of the object, individual, fragment, or process studied. Contributors from a variety of disciplines—including literature, art history, manuscript studies, philology, and more— consider the definitions and implications of style in Anglo-Saxon culture and in contemporary scholarship. They demonstrate that the idea of style as a "constant form" has its limitations, and that style is in fact the ordering of form, both verbal and visual. Anglo-Saxon texts and images carry meanings and express agendas, presenting us with paradoxes and riddles that require us to keep questioning the meanings of style.
The Inner Curriculum
Without high levels of wellbeing and resilience, pupils are unable to function well, build strong, positive relationships or get the most out of their education. Neil and Jane's renowned work has been to support schools in creating authentic values-based cultures, which promote wellbeing and resilience for all.
The Rood in Medieval Britain and Ireland, C.800-c.1500
New readings demonstrate the centrality of the rood to the visual, material and devotional cultures of the Middle Ages, its richness and complexity.
Women's Lives
Women’s Lives presents essays on the ways in which the lives and voices of women permeated medieval literature and culture. The ubiquity of women amongst the medieval canon provides an opportunity for considering a different sphere of medieval culture and power that is frequently not given the attention it requires. The reception and use of female figures from this period has proven influential as subjects in literary, political, and social writings; the lives of medieval women may be read as models of positive transgression, and their representation and reception make powerful arguments for equality, agency and authority on behalf of the writers who employed them. The volume includes essays on well-known medieval women, such as Hildegard of Bingen and Teresa of Cartagena, as well as women less-known to scholars of the European Middle Ages, such as Al-Kāhina and Liang Hongyu. Each essay is directly related to the work of Elizabeth Petroff, a scholar of Medieval Women Mystics who helped recover texts written by medieval women.
