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Jane Hill
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Can't Let Go
Who do you turn to when there is no one left to trust? An electrifying thriller for fans of BEHIND CLOSED DOORS and THE COUPLE NEXT DOOR. 'Comes armed with a final twist that will make even the most canny readers gasp' Sophie Hannah Beth Stephens has built her life on a lie. For ten years she has kept a horrifying secret. Or so she thinks. When Beth opens the first mysterious note she is terrified. Someone is stalking her every footstep. And it's clear they are determined to exact revenge. All too quickly Beth's carefully constructed world begins to unravel. Danger is closing in, and she must find the stalker before they destroy her completely...
The Everyday Language of White Racism
In The Everyday Language of White Racism, Jane H. Hillprovides an incisive analysis of everyday language to reveal theunderlying racist stereotypes that continue to circulate inAmerican culture. provides a detailed background on the theory of race andracism reveals how racializing discourse—talk and text thatproduces and reproduces ideas about races and assigns people tothem—facilitates a victim-blaming logic integrates a broad and interdisciplinary range of literaturefrom sociology, social psychology, justice studies, critical legalstudies, philosophy, literature, and other disciplines that havestudied racism, as well as material from anthropology andsociolinguistics Part of the ahref="http://eu.wiley.com/WileyCDA/Section/id-410785.html"target="_blank"Blackwell Studies in Discourse and CultureSeries/a
Jane of Lantern Hill
DigiCat Publishing presents to you this special edition of "Jane of Lantern Hill" by L. M. Montgomery. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The Art of Dora Carrington
Dora Carrington's association with Lytton Strachey and his Bloomsbury friends has tended to overshadow her contribution to modern painting. By looking at the art she produced in each period of her life, Hill redresses the balance, revealing Carrington as a significant artist of her time. The official tie-in to the major motion picture, starring Emma Thompson and Jonathan Pryce. 139 illustrations, 24 in color.
Can't Let Go
I'm watching you. I know everywhere you go. When Beth Stephens opens the first mysterious note, she is terrified. Someone out there, someone who seems to be stalking her every footstep, has pried open the terrible secret she's been hiding for over a decade. And he is threatening to exact revenge.
Jane Leaves the Wells
During a visit to Scotland, dancer Jane Foster is faced with a choice between the two most important things in her life--her dancing and her love for Guy Charlton.
Murder in Notting Hill
The truth about one of Britain's most infamous race murders has never been revealed. At around midnight on May 17 1959, a white gang ambushed 32-year-old Antiguan carpenter Kelso Cochrane on a Notting Hill slum street. After a brief scuffle one of them plunged a knife into his heart. The impact was as profound as the aftershock of Stephen Lawrence's murder more than forty years later. The previous summer Notting Hill had been convulsed by race riots. The fascists Sir Oswald Mosley and Colin Jordan were agitating in the area. So the news of an innocent back man stabbed in west London reverberated from Whitehall to the Caribbean. And when the police failed to catch the killer, many black people believed it would have been different if the victim had been white. Murder in Notting Hill is a tale of crumbling tenements transformed into a millionaires' playground, of the district's fading white working class, and of a veil finally being lifted on the past. Part whodunnit, part social history, it reveals startling new evidence about the murder.
Critical Architecture
Critical Architecture examines the relationship between critical practice in architecture and architectural criticism. Placing architecture in an interdisciplinary context, the book explores architectural criticism with reference to modes of criticism in other disciplines - specifically art criticism - and considers how critical practice in architecture operates through a number of different modes: buildings, drawings and texts. With forty essays by an international cast of leading architectural academics, this accessible single source text on the topical subject of architectural criticism is ideal for undergraduate as well as post graduate study.
