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Didn't I Love You Enough?
Helping children cope with the loss of a sibling.
Women at the Front
As many as 20,000 women worked in Union and Confederate hospitals during America's bloodiest war. Black and white, and from various social classes, these women served as nurses, administrators, matrons, seamstresses, cooks, laundresses, and custodial workers. Jane E. Schultz provides the first full history of these female relief workers, showing how the domestic and military arenas merged in Civil War America, blurring the line between homefront and battlefront. Schultz uses government records, private manuscripts, and published sources by and about women hospital workers, some of whom are familiar--such as Dorothea Dix, Clara Barton, Louisa May Alcott, and Sojourner Truth--but most of whom ...
A New Baby Is Coming
Prepare siblings for the joyous event!
Rehabilitating Bodies
The American Civil War is one of the most documented, romanticized, and perennially reenacted events in American history. In Rehabilitating Bodies: Health, History, and the American Civil War, Lisa A. Long charts how its extreme carnage dictated the Civil War's development into a lasting trope that expresses not only altered social, economic, and national relationships but also an emergent self-consciousness. Looking to a wide range of literary, medical, and historical texts, she explores how they insist on the intimate relationship between the war and a variety of invisible wounds, illnesses, and infirmities that beset Americans throughout the late nineteenth and early twentieth centuries a...
Worth a Dozen Men
In antebellum society, women were regarded as ideal nurses because of their sympathetic natures. However, they were expected to exercise their talents only in the home; nursing strange men in hospitals was considered inappropriate, if not indecent. Nevertheless, in defiance of tradition, Confederate women set up hospitals early in the Civil War and organized volunteers to care for the increasing number of sick and wounded soldiers. As a fledgling government engaged in a long and bloody war, the Confederacy relied on this female labor, which prompted a new understanding of women’s place in public life and a shift in gender roles. Challenging the assumption that Southern women’s contributi...
SHIFT - The End of the War on Drugs, The Beginning of the War on Terrorism
"A drug cop's four year romp through the White House National Security Council."--Cover
Fraud
None
Intensely Human
This “informative” look at the causes of high mortality rates among black Civil War soldiers “gives readers some insight into current health disparities” (JAMA). Black soldiers in the American Civil War were far more likely to die of disease than were white soldiers. In Intensely Human, historian Margaret Humphreys explores why this uneven mortality occurred and how it was interpreted at the time. In doing so, she uncovers the perspectives of mid-nineteenth-century physicians and others who were eager to implicate the so-called innate inferiority of the black body. In the archival collections of the U.S. Sanitary Commission, Humphreys found evidence that the high death rate among bla...
This Birth Place of Souls
After the battle of Antietam in 1862, Harriet Eaton traveled to Virginia from her home in Portland, Maine, to care for soldiers in the Army of the Potomac. Portland's Free Street Baptist Church, with liberal ties to abolition, established the Maine Camp Hospital Association and made the widowed Eaton its relief agent in the field. One of many Christians who believed that patriotic activism could redeem the nation, Eaton quickly learned that war was no respecter of religious principles.Doing the work of nurse and provisioner, Eaton tended wounded men and those with smallpox and diphtheria during two tours of duty. Eaton struggled with the disruptions of transience, scarcely sleeping in the sa...
Lust, Lucre & Liquor and Piece of Work
LUST, LUCRE, and LIQUOR is mock-melodrama featuring a catalogue of hair-raising escapes typical of plays of a hundred years ago and more. It is offered here for its fans, those who acted in it, saw it, on the Showboat Majestic touring the Ohio River and its tributaries and later on other stages, starting in 1952 and for a decade and more later. PIECE OF WORK, is a more recent farce, finished about 1998, which is printed here because it's funny.
