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Japanese Paintings in the Ashmolean Museum, Oxford
" ... sixty of the finest paintings are discussed in detail individually, divided into sections based on the major schools of painting active in Japan from the Edo period (1615-1868) to the modern era. Throughout the discussion, the book highlights the work of artists outside the traditional cultural centers of Edo and Kyoto by including artworks by Nagasaki- and Osaka-based artists whose paintings will be less familiar to a Western audience. In addition, the catalogue focuses on painting formats that reached their peak of expression during this era such as painted albums and fan paintings, both of which became advantageous choices for artists working in a variety of styles."--Amazon.
Painting the Floating World
From the 17th through the 19th century, artists in Kyoto and Edo (now Tokyo) captured the metropolitan amusements of the floating world (ukiyo in Japanese) through depictions of subjects such as the beautiful women of the Yoshiwara pleasure quarters and performers of the kabuki theater. In contrast to ukiyo-e prints by artists such as Katsushika Hokusai, which were widely circulated, ukiyo-e paintings were specially commissioned, unique objects that displayed the maker’s technical skill and individual artistic sensibility. Featuring more than 150 works from the celebrated Weston Collection, the most comprehensive of its kind in private hands and published here for the first time in English, this lavishly illustrated and meticulously researched volume addresses the genre of ukiyo-e painting in all its complexity. Individual essays explore topics such as shunga (erotica), mitate-e (images that parody or transform a well-known story or legend), and poetic inscriptions, revealing the crucial role that ukiyo-e painting played in a sophisticated urban culture.
The Poetry of Nature
With a shared reverence for the arts of Japan, T. Richard Fishbein and his wife, Estelle P. Bender assembled an outstanding and diverse collection of paintings of the Edo period (1615 – 1868). The Poetry of Nature offers an in-depth look at more than forty works from their collection that together trace the development of the major schools and movements of the era — Rinpa, Nanga, Zen, Maruyama-Shijō, and Ukiyo-e — from their roots in Heian court culture and the Kano and Tosa artistic lineages that preceded them. Insightful essays by John T. Carpenter and Midori Oka reveal a unifying theme — the celebration of the natural world — expressed in varied forms, from the bold, graphic ma...
Art and Palace Politics in Early Modern Japan, 1580s-1680s
Magnificent art and architecture created for the emperor with the financial support of powerful warlords at the beginning of Japan’s early modern era (1580s-1680s) testify to the continued cultural and ideological significance of the imperial family. Works created in this context are discussed in this groundbreaking study, with over 100 illustrations in color.
Radical Clay
A diverse selection of contemporary ceramic work by Japanese women, featuring stunning pieces from virtuosic artists Since World War II, women artists from Japan have made influential contributions to ceramics that have been inadequately acknowledged. This catalogue focuses on thirty-six ceramists who have produced original and technically innovative pieces over the past fifty years while working outside the male-dominated, traditional Japanese studio practice and its countermovements. Both established and emerging artists with diverse styles are presented together to showcase their collective achievements and impact. After embarking on their careers decades ago, Mishima Kimiyo (b. 1932), Ts...
Detroit Kids Catalog
The Metro Detroit area has hours worth of fun and activities for its smaller residents and their parents. Detroit Kids Catalog combines over twenty-five hundred activities in Metropolitan Detroit, from short outings to daylong excursions, in a handy and easy to use guide. Detroit Kids Catalog is a welcome addition to the glove compartment of any car or minivan. This updated edition includes lots of ideas for parents, grandparents, teachers, scout leaders, and anyone interested in pulling the kids away from the television and exploring Metro Detroit. This latest edition includes: • More than 150 new sites and activities, including a list of area malls and their special family events, new museums, and new features of old favorites like the Henry Ford Museum. • Enlarged extensive coverage of eleven Southeast Michigan counties and the Greater Windsor area. • Travel tips at the beginning of each chapter to help better plan family outings. • Important information and numbers for the Michigan Travel Bureau, local recreation departments, area hospitals, and theater box offices, as well as for Amtrak, Via Rail, and local bus lines.
Beyond Golden Clouds
"Folding screens, known as byōbu in Japanese, are treasures within any museum's collection and are beloved by the general public. This beautiful publication brings together the very finest screens from the world-renowned collections of the Art Institute of Chicago and the Saint Louis Art Museum. The featured works range from an extraordinary pair of landscapes by Sesson Shūkei, a Zen-Buddhist monk-painter of the late sixteenth century, to daring works from the late twentieth century. The first half of the Edo period is especially well represented, with a dozen screens from the seventeenth century by Kaihō Yūshō and Tosa Mitsuoki, among other masters. Beyond Golden Clouds also discusses the contemporary scene, with ten examples from the twentieth century proving the longevity of this art form and its currency among modern-day artists. Enlightening essays by important scholars in the field cover topics including the emergence of screens as an art form and a novel discussion of the relationship of Japanese screens to those made in other countries." --
Engaging the Other: 'Japan' and Its Alter-Egos, 1550-1850
In Engaging the Other: “Japan and Its Alter-Egos”, 1550-1850 Ronald P. Toby examines new discourses of identity and difference in early modern Japan, a discourse catalyzed by the “Iberian irruption,” the appearance of Portuguese and other new, radical others in the sixteenth century. The encounter with peoples and countries unimagined in earlier discourse provoked an identity crisis, a paradigm shift from a view of the world as comprising only “three countries” (sangoku), i.e., Japan, China and India, to a world of “myriad countries” (bankoku) and peoples. In order to understand the new radical alterities, the Japanese were forced to establish new parameters of difference from familiar, proximate others, i.e., China, Korea and Ryukyu. Toby examines their articulation in literature, visual and performing arts, law, and customs.
