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The eighth volume treats the works of eight award-winning shingeki (new drama) playwrights of the 1950s.
A series of translated Japanese plays that begins in the 1990s and moves back to the mid-20th century. The aim of the Japan Playwrights Association is to offer performable English translations of modern Japanese plays, to encourage the production of such plays out of Japan, and to extend possibilities for further international exchange.
America’s Japan and Japan’s Performing Arts studies the images and myths that have shaped the reception of Japan-related theater, music, and dance in the United States since the 1950s. Soon after World War II, visits by Japanese performing artists to the United States emerged as a significant category of American cultural-exchange initiatives aimed at helping establish and build friendly ties with Japan. Barbara E. Thornbury explores how “Japan” and “Japanese culture” have been constructed, reconstructed, and transformed in response to the hundreds of productions that have taken place over the past sixty years in New York, the main entry point and defining cultural nexus in the United States for the global touring market in the performing arts. The author’s transdisciplinary approach makes the book appealing to those in the performing arts studies, Japanese studies, and cultural studies.
Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This anthology includes papers from the 28th annual conference held in Columbus, Ohio. Topics covered include Euripides, German and Russian theatre, dramatic antecedents of the striptease, surrogate love in The Glass Menagerie, surrealist drama, Greek comedy and the American concept musical, and theatre and politics.
With the Meiji Restoration in 1868, Japan opened its doors to the West and underwent remarkable changes as it sought to become a modern nation. Accompanying the political changes that Western trade ushered in were widespread social and cultural changes. Newspapers, novels, poems, and plays from the Western world were soon adapted and translated into Japanese. The combination of the rich storytelling tradition of Japan with the realism and modernism of the West produced some of the greatest literature of the modern age. The A to Z of Modern Japanese Literature and Theater presents a broad perspective on the development and history of literature-narrative, poetry, and drama-in modern Japan. This book offers a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Japanese literature.
Modern Japanese Theatre and Performance is a collection of sixteen essays on Japanese theatre, including historical overviews of twentieth century theatre, analyses of specific productions and individuals, and consideration of the intercultural nature of modern Japanese theatr...
Half a Century of Japanese Theater is a series of translated Japanese plays that begins from the contemporary theater scene of the 1990s and moves back through the decades of modern Japanese theater to the mid-twentieth century.The threefold aim of the Japan Playwrights Association in publishing this series is to offer performable English translations of modern Japanese plays, to encourage the production of such plays by foreign theatrical troupes and to extend possibilities for further international exchange in theater. The first volume, Japanese Theater of the 1990s, Part 1, treats six major playwrights, five men and one woman. Their works range from comedies to accounts of historical figures like Korean activist An Chung-gun and Nobel physics prize winner Tomonaga Shinichiro. Diverse as these plays are, they represent the social concerns and artistic interests of the dramatists of this period. Contents: Citizens of Seoul (Hirata Oriza), Epitaph for the Whales (Sakate Yoji), Time's Storeroom (Nagai Ai), Fireflies (Suzue Toshiro), Tokyo Atomic Klub (Makino Nozomi), Ice Blossoms (Kaneshita Tatsuo).
This anthology is the first to survey the full range of modern Japanese drama and make available JapanÕs best and most representative twentieth- and early-twenty-first-century works in one volume. Divided into six chronological sections: ÒThe Age of Taisho DramaÓ; The Tsukiji Tsukiji Little Theater and Its AftermathÓ; ÒWartime and Postwar DramaÓ; ÒThe 1960s and Underground TheaterÓ; ÒThe 1980s and BeyondÓ; and ÒPopular Theater,Ó the collection opens with a comprehensive introduction to Meiji period drama and provides an informal yet complete history of twentieth-century Japanese theater for students, scholars, instructors, and dramatists. The collection features a mix of original...
Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This anthology includes papers from the 29th annual conference held in Northridge, California. Topics covered include drama in Ireland, Greece, England, Eastern Europe, Korea, Japan and North America.