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Craft: Volume 01
CRAFT is the first project-based magazine dedicated to the renaissance that is occurring within the world of crafts. Celebrating the DIY spirit, CRAFT's goal is to unite, inspire, inform and entertain a growing community of highly imaginative people who are transforming traditional art and crafts with unconventional, unexpected and even renegade techniques, materials and tools; resourceful spirits who undertake amazing crafting projects in their homes and communities. Volume 01, the premier issue, features 23 projects with a twist! Make a programmable LED shirt, turn dud shoes into great knitted boots, felt an iPod cocoon, embroider a skateboard, and much more.
ケンブリッジ大学所蔵和漢古書総合目錄 : アストン・サトウ・シーボルト・コレクション
A complete catalogue of early books acquired by the diplomats W. G. Aston, Ernest Satow, and Heinrich von Siebold in Japan. The bulk of the 2,500 items are wood-block printed books of the Edo period. The editors' introduction is followed by entries giving title, author/editor/illustrator, date of publication and/or printing, all participating publishers, and the seals of previous owners.
The Japan Journals, 1947-2004
The transformation of Japan from post-war devastation to twenty-first-century economic and cultural powerhouse has been a remarkable spectacle. Donald Richie arrived in Tokyo on New Year's Day 1947 and since then has been living there to witness and report on this change. For over fifty years Richie's work - comprising dozens of books and hundreds of essays - had helped define modern Japan and Japanese culture for Western readers. Now, having reached his celebratory eightieth year, this long-time observer of others has decided to open his private journals to public view. Spanning his entire time in Japan, Richie's writings show a man who is still intellectually engaged and still passionately...
Closing the Shop
How is the relationship between the Japanese state and Japanese society mediated by the press? Does the pervasive system of press clubs, and the regulations underlying them, alter or even censor the way news is reported in Japan? Who benefits from the press club system? And who loses? Here Laurie Anne Freeman examines the subtle, highly interconnected relationship between journalists and news sources in Japan. Beginning with a historical overview of the relationship between the press, politics, and the public, she describes how Japanese press clubs act as "information cartels," limiting competition among news organizations and rigidly structuring relations through strict rules and sanctions....
