You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Revised version of the author's thesis (Ph.D.)--University of Chicago, 2009.
Your God is too somber if your posture before him lacks a spirit of joy and a commitment to rejoice as much as possible. While life has its sadness and tragedy, the good news of Jesus Christ is that God’s kingdom has won; and the suffering we face for a time is shorter compared with the endless delight that God promises. So, “Rejoice in the Lord always; again I will say, Rejoice!” (Phil 4:4). Your God is too somber if you embrace a theology of tears, rather than a theology of laughter. Of course, salvation and Christ’s sacrifice are serious business, and we should engage in moments of penitential reflection, confession, and atonement. But all of this so we can shake off the shackles of our shortcomings and celebrate God fully and joyfully. Your God is too somber if you fail to see the humor in the Bible: the calls to joy, paradox, irony, burlesque, play, and wordplay. God laughs, sometimes with us, sometimes at us, and Jesus’s humor is evident in parables and sayings, with the goal of teaching us the truth. Is your God too somber? This book aims to help you answer that question.
None
Recent studies highlight the character of Deuteronomy's laws of public officials (Deut. 16.18-18.22) as the first draft for a constitutional government of the future. Sarah Pearce explores what these laws meant for Jewish interpreters and their communities in the Second Temple period. Her focus is on the reception and transformation of Deuteronomy's laws on the organisation of justice (Deut. 16.18-17.13): the appointment of local judiciaries; the authority and function of the central court; and the prohibition of single testimony. The author offers a detailed commentary on these laws in sources including the Masoretic Text, the Samaritan Pentateuch, Greek Deuteronomy, the Books of Chronicles, the Temple Scroll, the Damascus Document, Philo of Alexandria, and Josephus. Her aim is to understand the ancient interpreters of Deuteronomy, first and foremost, in their own terms and their own contexts.
Judith tells the story of a beautiful Jewish woman who enters the tent of an invading general, gets him drunk, and then slices off his head, thus saving her village and Jerusalem. This short novella was somewhat surprisingly included in the early Christian versions of the Old Testament and has played an important role in the Western tradition ever since. This commentary provides a detailed analysis of the text's composition and its meaning in its original historical context, and thoroughly surveys the history of Judith scholarship. Lawrence M. Wills not only considers Judith's relation to earlier biblical texts--how the author played upon previous biblical motifs and interpreted important biblical passages--but also addresses the rise of Judith and other Jewish novellas in the context of ancient Near Eastern and Greek literature, as well as their relation to cross-cultural folk motifs. Because of the popularity of Judith in art and culture, this volume also addresses the book's history of interpretation in paintings, sculpture, music, drama, and literature. A number of images of artistic depictions of Judith are included and discussed in detail.
As the first volume to focus on texts and traditions about Enoch between the fifteenth and nineteenth centuries, this book brings specialists in antiquity into conversation with specialists in early modernity, exploring the reimagination of the antediluvian past.
One of the most widely praised studies of Jewish apocalyptic literature ever written, The Apocalyptic Imagination by John J. Collins has served for over thirty years as a helpful, relevant, comprehensive survey of the apocalyptic literary genre. After an initial overview of things apocalyptic, Collins proceeds to deal with individual apocalyptic texts -- the early Enoch literature, the book of Daniel, the Dead Sea Scrolls, and others -- concluding with an examination of apocalypticism in early Christianity. Collins has updated this third edition throughout to account for the recent profusion of studies germane to ancient Jewish apocalypticism, and he has also substantially revised and updated the bibliography.
The essays in this volume examine the relationship between ancient fiction in the Greco-Roman world and early Jewish and Christian narratives. They consider how those narratives imitated or exploited conventions of fiction to produce forms of literature that expressed new ideas or shaped community identity within the shifting social and political climates of their own societies. Major authors and texts surveyed include Chariton, Shakespeare, Homer, Vergil, Plato, Matthew, Mark, Luke, Daniel, 3 Maccabees, the Testament of Abraham, rabbinic midrash, the Apocryphal Acts, Ezekiel the Tragedian, and the Sophist Aelian. This diverse collection reveals and examines prevalent issues and syntheses in the making: the pervasive use and subversive power of imitation, the distinction between fiction and history, and the use of history in the expression of identity.
Vols. for 1970- include "Calendar of prayer" with directory of missionaries (formerly called pt. 3)