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Identifies the common vulnerabilities of the voiceless and demonstrates how the law can evolve to protect their interests more effectively.
The story of Native peoples’ resistance to environmental injustice and land incursions, and a call for environmentalists to learn from the Indigenous community’s rich history of activism Through the unique lens of “Indigenized environmental justice,” Indigenous researcher and activist Dina Gilio-Whitaker explores the fraught history of treaty violations, struggles for food and water security, and protection of sacred sites, while highlighting the important leadership of Indigenous women in this centuries-long struggle. As Long As Grass Grows gives readers an accessible history of Indigenous resistance to government and corporate incursions on their lands and offers new approaches to environmental justice activism and policy. Throughout 2016, the Standing Rock protest put a national spotlight on Indigenous activists, but it also underscored how little Americans know about the longtime historical tensions between Native peoples and the mainstream environmental movement. Ultimately, she argues, modern environmentalists must look to the history of Indigenous resistance for wisdom and inspiration in our common fight for a just and sustainable future.
The purpose of Communicating in the Anthropocene: Intimate Relations is to tell a different story about the world. Humans, especially those raised in Western traditions, have long told stories about themselves as individual protagonists who act with varying degrees of free will against a background of mute supporting characters and inert landscapes. Humans can be either saviors or destroyers, but our actions are explained and judged again and again as emanating from the individual. And yet, as the coronavirus pandemic has made clear, humans are unavoidably interconnected not only with other humans, but with nonhuman and more-than-human others with whom we share space and time. Why do so many of us humans avoid, deny, or resist a view of the world where our lives are made possible, maybe even made richer, through connection? In this volume, we suggest a view of communication as intimacy. We use this concept as a provocation for thinking about how we humans are in an always-already state of being-in-relation with other humans, nonhumans, and the land.
A look at the journalists and satirists who’ve helped transform the political landscape in the twenty-first century. The New Blue Media traces the rise during the Bush years of new media stars: the news-saturated satire of The Onion, The Daily Show, and The Colbert Report; the polemical assaults of Michael Moore and Air America; and the instant-messaging politics of MoveOn, Daily Kos, and the netroots. With the exception of Air America, all of these new media outlets have found commercial success—marking, says Hamm, a new era in liberal politics. Does this new media matter? In 2004, both Michael Moore and MoveOn became major players; more recently, the influence of the netroots has sparked upheaval and debate within the Democratic Party. The New Blue Media examines this phenomenon in depth, and the reshaping of both the style and the substance of progressivism.
Alphabetically arranged entries in five chronological volumes focus on individual authors, works, and topics related to multiethnic American literature.
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Essays on South African writers from the South African War or Anglo-Boer War (1899-1902) to the Act of Union in 1910, when the defeated Boer republics were joined together by British Parliament into what became modern South Africa. Discusses the beginnings of South Africa literature in English, as well as the impact the discovery of gold and diamonds had. Genres mentioned include travel books, hunter-adventure romances, and South African realist fiction.
Essays on British writers of fantasy and science fiction discuss the changing attitudes towards this genre, including serious consideration by critics. Covers the publication of science fiction in comic books, limited productions of publications by fan presses, the difference between British and American science fiction, the birth of the New Wave, and the revival of horror fiction as a distinct genre.