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Shock Value
1970s Hollywood often brings to mind directors such as Scorsese, Spielberg and Coppola. But the decade was also horror's 'golden age', producing classics like Rosemary's Baby, Carrie, The Texas Chainsaw Massacre and Halloween by directors who would achieve massive success. Since then, horror has been a prominent part of popular culture.
Letterman
New York Times comedy critic Jason Zinoman delivers the definitive story of the life and artistic legacy of David Letterman, the greatest television talk show host of all time and the signature comedic voice of a generation. In a career spanning more than thirty years, David Letterman redefined the modern talk show with an ironic comic style that transcended traditional television. While he remains one of the most famous stars in America, he is a remote, even reclusive, figure whose career is widely misunderstood. In Letterman, Jason Zinoman, the first comedy critic in the history of the New York Times, mixes groundbreaking reporting with unprecedented access and probing critical analysis to...
Shock Value
In the dark underbelly of 1970s cinema, an unlikely group of directors rewrote the rules of horror, breathing new life into the genre and captivating audiences like never before Much has been written about the storied New Hollywood of the 1970s, but while Steven Spielberg and Martin Scorcese were producing their first classic movies, a parallel universe of directors gave birth to the modern horror film. Shock Value tells the unlikely story of how directors like Wes Craven, Roman Polanski, and John Carpenter revolutionized the genre, plumbing their deepest anxieties to bring a gritty realism and political edge to their craft. From Rosemary’s Baby to Halloween, the films they unleashed on the world created a template for horror that has been relentlessly imitated but rarely matched. Based on unprecedented access to the genre’s major players, this is an enormously entertaining account of a hugely influential golden age in American film.
The Comedians
“Funny [and] fascinating . . . If you’re a comedy nerd you’ll love this book.” —Pittsburgh Post-Gazette Named a Best Book of the Year by Kirkus Reviews, National Post, and Splitsider Based on over two hundred original interviews and extensive archival research, this groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past one hundred years. Starting with the vaudeville circuit at the turn of the last century, the book introduces the first stand-up comedian—an emcee who abandoned physical shtick for straight jokes. After the repeal of Prohibition, Mafia-run supper clubs replaced speakeasies, and mobsters...
You Can't Spell America Without Me
Political satire as deeper truth: Donald Trump’s presidential memoir, as recorded by two world-renowned Trump scholars, and experts on greatness generally "I have the best words, beautiful words, as everybody has been talking and talking about for a long time. Also? The best sentences and, what do you call them, paragraphs. My previous books were great and sold extremely, unbelievably well--even the ones by dishonest, disgusting so-called journalists. But those writers didn't understand Trump, because quite frankly they were major losers. People say if you want it done right you have to do it yourself, even when 'it' is a 'memoir.' So every word of this book was written by me, using a spec...
God's Ear
Mel and Ted have lost their young son. Now, wherever Ted goes, he meets people with dead sons. And whatever Mel touches falls apart. Mel and Ted try to continue their way through the world, guided by their young daughter Lanie, and the Tooth Fairy and G.I. Joe.
Behind the Laughs
Comedy is a brutal business. When comedians define success, they don't talk about money—they talk about not quitting. They work in a business where even big names work for free, and the inequalities of race, class, and gender create real barriers. But they also work in a business where people still believe that hard work and talent lead to the big time. How do people working in comedy sustain these contradictions and keep laughing? In Behind the Laughs, Michael P. Jeffries brings readers into the world of comedy to reveal its dark corners and share its buoyant lifeblood. He draws on conversations with comedians, as well as club owners, bookers, and managers, to show the extraordinary social connections professional humor demands. Not only do comedians have to read their audience night after night, but they must also create lasting bonds across the profession to get gigs in the first place. Comedy is not a meritocracy, and its rewards are not often fame and fortune. Only performers who know the rules of their community are able to make it a career.
Reimagining Greek Tragedy on the American Stage
This book explores the emergence of Greek tragedy on the American stage from the nineteenth century to the present. Despite the gap separating the world of classical Greece from our own, Greek tragedy has provided a fertile source for some of the most innovative American theater. Helene P. Foley shows how plays like Oedipus Rex and Medea have resonated deeply with contemporary concerns and controversies—over war, slavery, race, the status of women, religion, identity, and immigration. Although Greek tragedy was often initially embraced for its melodramatic possibilities, by the twentieth century it became a vehicle not only for major developments in the history of American theater and dance but also for exploring critical tensions in American cultural and political life. Drawing on a wide range of sources—archival, video, interviews, and reviews—Reimagining Greek Tragedy on the American Stage provides the most comprehensive treatment of the subject available.
Fired!
If you've ever been fired, you're in good company. That's what actress and writer Annabelle Gurwitch discovered when she was fired by her idol Woody Allen ("You look retarded"). She confided her tale of woe to her friend Felicity Huffman, who made Annabelle laugh with her own stories. Annabelle realized that there was a world of people out there waiting to laugh at the experience that virtually everyone shares, and she began to collect stories of being fired from friends and colleagues. Soon she was contributing regular "Fired!" segments to Day to Day on NPR and gathering friends to appear with her in sold-out performances of Fired! in Los Angeles and New York. Fired!, her documentary film i...
Blood on the Stage, 1925-1950
In this volume, Amnon Kabatchnik provides an overview of more than 150 important and memorable theatrical works of crime and detection between 1925 and 1950. Each entry includes a plot synopsis, production data, and the opinions of well known and respected critics and scholars.
