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Dramatic Licence
Translation is tricky business. The translator has to transform the foreign to the familiar while moving and pleasing his or her audience. Louise Ladouceur knows theatre from a multi-dimensional perspective that gives her research a particular authority as she moves between two of the dominant cultures of Canada: French and English. Through the analysis of six plays from each linguistic repertoire, written and translated between 1961 and 2000, her award-winning book compares the complexities of a translation process shaped by the power struggle between Canada's two official languages. The winner of the Prix Gabrielle-Roy and the Ann Saddlemyer Book Award, Dramatic Licence addresses issues important to scholars and students of Translation Studies, Canadian Literature and Theatre Studies, as well as theatre practitioners and translators. The University of Alberta Press acknowledges the financial support of the Government of Canada, through the National Translation Program for Book Publishing, for our translation activities.
Establishing Our Boundaries
An impressive collection of essays by 21 of English Canada's leading theatre critics provides a cultural history of Canada, and Canadians intense relationship to theatre, from 1829 to 1998, and across the whole country.
René Angélil: The Making of Céline Dion
For almost twelve years, Jean Beaulne was a member of the Baronets "the Beatles of Quebec" along with René Angélil. In this book, he has collaborated with writer and journalist Jean Beaunoyer to tell the untold story of René Angélil and Céline Dion. Previously unknown details of René Angélil's personal and professional life are revealed in this unprecedented investigation into the man who orchestrated one of the foremost successes in the history of show business.
Florida's Snowbirds
Cover -- CONTENTS -- PREFACE -- INTRODUCTION: Why Florida Matters -- CHAPTER ONE: Florida Dreaming -- CHAPTER TWO: The Dream Next Door Going to Florida -- CHAPTER THREE: Roosting in Eden -- CHAPTER FOUR: From Eden to Babel -- CHAPTER FIVE: From Babel to the Clubhouse: Snowbirds in Search of Community -- CHAPTER SIX: A Canadian Snowbird Case Study -- CHAPTER SEVEN: Coming Home: What Florida Means to the North -- CONCLUSION -- NOTES -- BIBLIOGRAPHY -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- K -- M -- N -- P -- Q -- R -- S -- T -- V -- W.
René Angélil
Previously unknown details of Rene Angelil's personal and professional life are revealed in this investigation into the man who orchestrated one of the foremost successes in the history of show business. A seducer, dreamer, and inveterate gambler, Angelil lived through the 1960s with an attitude of blissful insouciance, only to suffer a series of professional setbacks and disappointments in love, which did not prevent him from achieving fame and fortune. In 1981, Rene Angelil staked his life on a single card: Celine Dion. His bet succeeded, yet the road ahead was still rocky. His health gave way, and as he was recovering, an accusation of sexual assault threatened to ruin his reputation. What comes next in the life of this inveterate gambler? This biography takes us far beyond the idealized, indulgent image presented by the media. Is this powerful man a genius? Is he the victim of a conspiracy, or does he abuse his power? Why is he so feared? This completely up-to-date book contains answers to all these questions and much more.
Contaminating Theatre
Speaking from a breadth of disciplines, themes, and cultural perspective, the eight essays in this collection offer a wide-ranging view on the ways theater can be employed in the service of public health. The projects examined include activist theater companies, "theater of survival" dealing with issues like AIDS and peer violence, the use of theater in therapy and in the training of therapists, and an in-depth look at the issues and methods driving any theater seeking to produce a healthy change. The ten contributors include theater practitioners; therapists; and teachers, researchers, and scholars in medical anthropology and international health, psychology and drama therapy, communication and performance studies, and feminist and cultural criticism.
The Dundurn Group
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Robert Lepage's original stage productions
This book explores the development of Robert Lepage’s distinctive approach to stage direction in the early (1984-1994) and middle (1995-2008) stages of his career, arguing that globalisation had a defining effect on shaping his aesthetic and his professional trajectory. In addition to globalisation theory, the book draws on cinema studies, queer theory, and theories of affect and reception. Each of six chapters treats a particular aspect of globalisation, using this as a means to explore one or more of Lepage’s productions. Productions discussed include The Dragon’s Trilogy, Needles and Opium, and The Far Side of the Moon. Making theatre global: Robert Lepage’s original stage productions will be of interest to scholars of contemporary theatre, advanced-level undergraduates, and arts lovers keen for new perspectives on one of the most talked-about theatre artists of the early 21st century.
The Same but Different
From coast to coast, hockey is played, watched, loved, and detested, but it means something different in Quebec. Although much of English Canada believes that hockey is a fanatically followed social unifier in the French-speaking province, in reality it has always been politicized, divided, and troubled by religion, class, gender, and language. In The Same but Different, writers from inside and outside Quebec assess the game’s history and culture in the province from the nineteenth century to the present. This volume surveys the past and present uses of hockey and how it has been represented in literature, drama, television, and autobiography. While the legendary Montreal Canadiens loom th...
Robert Lepage on the Toronto Stage
A leader in theatre production for a global community, Robert Lepage - actor, cineaste, and director - revolutionized the Toronto theatre scene from the 1980s onwards by challenging conventional notions of language, identity, and national belonging. Exploring Lepage’s twenty-five-year history on the Toronto stage, Jane Koustas analyzes his importance in the Canadian and international theatre scenes. Outlining the reasons behind Lepage’s success in Toronto, Koustas skilfully engages with a wide range of journalistic and scholarly texts, moving between French and English critical reception of his work. For Lepage, Toronto offered the best of both worlds: he could remain an ardent Quebecer ...
