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No North Sea
This volume deals with those Christians who helped construct an international and inter-denominational evangelical network in western Europe in the middle of the nineteenth century. The Evangelical Alliance (est. 1846) institutionalised this ecumenical impulse. The Berlin Conference (1857) was the high-point of cross-border cooperation in those decades. The réveil in France and Switzerland and the Erweckung in Germany laid the groundwork for the Alliance in Europe. England, the motherland of the evangelical revival, provided a resource centre for continental evangelicalism. The chapters on the various missionary endeavours at home and abroad draw attention to the outward-looking, charitable and evangelistic character of evangelicals. Students of evangelicalism, the missionary movement and the ecumenical movement will find the book to be of particular importance.
Feast and Folly
What would it mean to speak of cuisine as a "fine art"? Combining an analysis of French cuisine with cutting-edge postmodernist critique, Feast and Folly provides a fascinating history of French gastronomy and cuisine over the past two centuries, as well as considerable detail regarding the preparation of some of the colossal meals described in the book. It offers a deep analysis of the social, political, and aesthetic aspects of cuisine and taste, exploring the conceptual preconditions, the discursive limits, and the poetics and rhetorical forms of the modern culinary imagination. Allen S. Weiss analyzes the structural preconditions of considering cuisine as a fine art, connects the diverse discursive conditions that give meaning to the notion of cuisine as artwork, and investigates the most extreme psychological and metaphysical condition of the aesthetic domain—the sublime—in relation to gastronomy.
Dramatic Justice
For most of the seventeenth and eighteenth centuries, classical dogma and royal censorship worked together to prevent French plays from commenting on, or even worse, reenacting current political and judicial affairs. Criminal trials, meanwhile, were designed to be as untheatrical as possible, excluding from the courtroom live debates, trained orators, and spectators. According to Yann Robert, circumstances changed between 1750 and 1800 as parallel evolutions in theater and justice brought them closer together, causing lasting transformations in both. Robert contends that the gradual merging of theatrical and legal modes in eighteenth-century France has been largely overlooked because it chal...
The Family on Trial in Revolutionary France
Annotation A sophisticated and groundbreaking book on what women actually did and what actually happened to them during the French Revolution.
