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My Two Grandmothers
A Canadian girl celebrates her bicultural family through stories of her two grandmothers in this charming children’s book. One speaks French and the other Speaks English. They celebrate holidays differently—and even their dogs are different! Acadian Mémère and Scottish Nannie seem to have nothing in common but their grandchildren, but in this endearing picture book from bestselling author Diane Carmel Léger and noted illustrator Jean-Luc Trudel, difference is celebrated. A co-publication with New Brunswick’s award-winning Bouton d’or Acadie and simultaneously published in French, Nannie and Mémère is a whimsically illustrated, heartwarming tale of the special relationship between grandparents and grandchildren, and a celebration of cultural heritage.
Impostors
Writing a new page in the surprisingly long history of literary deceit, Impostors examines a series of literary hoaxes, deceptions that involved flagrant acts of cultural appropriation. This book looks at authors who posed as people they were not, in order to claim a different ethnic, class, or other identity. These writers were, in other words, literary usurpers and appropriators who trafficked in what Christopher L. Miller terms the “intercultural hoax.” In the United States, such hoaxes are familiar. Forrest Carter’s The Education of Little Tree and JT LeRoy’s Sarah are two infamous examples. Miller’s contribution is to study hoaxes beyond our borders, employing a comparative fr...
Drive in Cinema
In Drive in Cinema, Marc James L ger presents Zizek-influenced studies of films made by some of the most influential filmmakers of our time, including Jean-Luc Godard, Pier Paolo Pasolini, Werner Herzog, Alexander Kluge, William Klein, Jim Jarmusch, Hal Hartley, Harmony Korine, and more. Working with radical theory and Lacanian ethics, L ger draws surprising connections between art, film, and politics, taking his analysis beyond the academic obsession with cultural representation and filmic technique and instead revealing film's potential as an emancipatory force.
France
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Cinema and Painting
The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity. Specifically, Dalle Vacche explores Jean-Luc Godard's iconophobia (Pierrot Le Fou) and Andrei Tarkovsky's iconophilia (Andrei Rubleov), Kenji Mizoguchi's split allegiances ...
Newsweek
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Fernand Léger
Fernand Leger (1881-1955) is the only modern artist to choose modernity itself as his subject. From his early series Contrastes de formes (1913-14), the first fully abstract works to emerge from Cubism, through his last realistic paintings of construction workers from the early 1950s, Leger's lifelong subject was the pulse and dynamism of contemporary life.
Skiing Heritage Journal
Skiing Heritage is a quarterly Journal of original, entertaining, and informative feature articles on skiing history. Published by the International Skiing History Association, its contents support ISHA's mission "to preserve skiing history and to increase awareness of the sport's heritage."
