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This international bestseller plumbs recently opened archives in the former Soviet bloc to reveal the accomplishments of communism around the world. The book is the first attempt to catalogue and analyse the crimes of communism over 70 years.
Through a potent mix of authoritarianism, heterosexism, xenophobia, and ethnoracial nationalism, powerful illiberal Christian movements have upended liberal democracies in countries that were once seen as paradigms of secular governance. Ludger H. Viefhues-Bailey offers new insight into the foundations of these movements, demonstrating how they emerge from the contradictions at the intersection of secularism and democracy. No Separation examines recent conflicts that link national identity, religion, and sexuality: debates over Muslim veiling practices in Germany, same-sex marriage in France, and migration and abortion in the United States. In each case, illiberal Christianities portray popu...
Historical consensus increasingly views the Cold War period as a multifaceted conflict which extended beyond the borders of the USSR and USA, encompassing both cultural and diplomatic history. Debate remains, however, about how best to balance the Cold War as a cultural event with the existence of Cold War culture. Rethinking the Cinematic Cold War provides a fresh reassessment of this period, highlighting how the convergence of geopolitical interests, cultural production and exchange, and technological and media history shaped a unique epoch. Consequently, this volume seeks to diagnose the role cinema played in expanding the ideological outlook of artists, audiences, and policymakers.
Bringing together social science researchers from France, Israel, the United States, Belgium and Switzerland, this book analyses contemporary Jewishness within the constant dialectic between faithfulness to Jewish tradition and culture and adherence to the values of modernity and democracy. Systems of family and gender normativity have durably influenced the traditional Jewish universe, but the norms and the institutions that embody them are today shaky. Individualization – the essence of modernity – is at work in the Jewish world, as it is elsewhere, and new identities are emerging and question the transmission of Jewish identities and traditions. The contributions here highlight the contrasting experiences of societies in the Diaspora and in Israeli society – societies that are different, yet sometimes very close because of tensions around religious and identity boundaries. As such, this book revisits the relationship to the “other” and the conditions for an “alliance” among people, a notion dear to Judaism.
Established in 1955, the Leipzig International Documentary Film Festival became a central arena for staging the cultural politics of the German Democratic Republic, both domestically and in relation to West Germany and the rest of the world. Screened Encounters represents the definitive history of this key event, recounting the political and artistic exchanges it enabled from its founding until German unification, and tracing the outsize influence it exerted on international cultural relations during the Cold War.
Reflecting on fieldwork for the twenty-first century, anthropologist and artist Susan Ossman invites readers on a journey across North Africa, Europe, the Middle East, and North America. She reveals that fieldwork today is not only about being immersed in a place or culture; instead, it is an active way of focusing attention and engendering encounters and experiences. She conceives a new kind of autoethnography, making art and ethnography equal partners to follow three "waves" of her research on media, globalization, and migration. Ossman guides the reader through diverse settings, including a colonial villa in Casablanca, a Cairo beauty salon, a California mall-turned-gallery, the Berlin Wall, and Amsterdam’s Hermitage museum. She delves into the entanglements of solitary research and collective action. This book is a primer for current anthropology and an invitation to artists and scholars to work across boundaries. It vividly shows how fieldwork can shape scenes for experiments with multiple outcomes, from conceptual advances to artworks, performances to dialogue and community making.
This up-to-date analysis of the French Communist Party sees it as an entirely unconventional political force: not a normal party vying for office, but a Leninist bureaucracy armed with an apocalyptic mission to deliver humanity from capitalism. Its interests have been defined as part of an outpost of a world revolutionary movement; and whilst its strategies may have varied, they have done so in order to serve Soviet foreign policy purposes. D.S. Bell and Byron Criddle trace the history of the Communist Party in France from its origins. They focus in particular on the period since 1958 and explore the Party's unique organizational structures and international loyalties. They examine structure and ideology, relations with the Socialist party, electoral performance, and the 1980's decline in the Party's fortunes. This study will be essential reading for all students of contemporary French history and politics.
This book analyses and describes Speech and Thought Presentation (S&TP) in French from a broad theoretical perspective, building bridges between linguistic, stylistic and narratological frameworks that have until now been developed separately. It combines the French théorie de l'énonciation and different Anglo-Saxon approaches of reported discourse into a harmonious whole, in order to create a new and exciting paradigm for our conception of S&TP strategies. Basing its findings on actual corpora and going beyond the canonical categories of reported discourse, it shows that the study of S&TP strategies is essential to our understanding of phenomena as diverse as the evolution and categorization of literary genres, the production and staging of 'orality' in literature, the various conceptualizations of the notion of 'Truth' in fiction and non-fiction, the expression of points of view in narrative, the structuring of rhetorical strategies and the construction of the 'Self' versus the representation of the 'Other' in discourse.
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