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Vesper and Compline Music for Four Principal Voices
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Vesper and Compline Music for Three Principal Voices
First Published in 1998. A New Series Fills a Void in 17th-Century Italian Music Drawing on the riches of a largely unknown repertoire, this innovative series makes available in modern score a large selection of Italian sacred music scored from printed part-books that has never before been published in modern editions. Conveniently organized and presented in modern scoreEach genre is organized for easy accessibility. Mass settings are presented in chronological order. Vesper and compline music is arranged according to the number of voices, chronologically within each volume, beginning with works for one and two voices and progressing to compositions for multiple choirs.
Studies in Sixteenth- And Seventeenth-Century Italian Sacred Music
Although he is often identified as a Monteverdi scholar, the majority of Jeffrey Kurtzman's work has focused on other sixteenth- and seventeenth-century Italian sacred music. Organized into three sections, this book provides critical and analytical essays spotlighting the sacred music of Monteverdi and other composers such as Giovanni Francesco Cap
Studies in Sixteenth and Seventeenth-century Italian Sacred Music
Although he is often identified as a Monteverdi scholar, the majority of Jeffrey Kurtzman's work has focused on other sixteenth- and seventeenth-century Italian sacred music. Organized into three sections, this book provides critical and analytical essays spotlighting the sacred music of Monteverdi and other seventeenth-century composers such as Giovanni Francesco Capello and Palestrina. It investigates issues of performance and surveys Italian liturgical music in its historical context.
The Monteverdi Vespers of 1610 : Music, Context, Performance
This is a thorough-going study of Monteverdi's Vespers, the single most significant and most widely known musical print from before the time of J.S. Bach. The author examines Monteverdi's Vespers from multiple perspectives, combining his own research with all that is known and thought of the Vespers by other scholars. The historical origin as well as the musical and liturgical context of the Vespers are surveyed; similarly the controversial historiography of the Vespers in the nineteenth and twentieth centuries is scrutinized and evaluated. A series of analytical chapters attempt to clarify Monteverdi's compositional process and the relationship between music and text in the light of recent ...
Approaches to Monteverdi
This volume gathers together twelve essays on the composer's music, reflecting the author's interests in aesthetic and psychological issues, the sacred works, methods of structural analysis, and the problems of making critical editions. All but one of these essays was originally published over a time span of twenty years in journals, conference reports, Festschriften, and as book chapters. The majority of them were not widely distributed or readily available until now. The essay on the Malipiero and Cremona editions appears here for the first time.
Vesper and Compline Music for Two Principal Voices
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance. It includes a comprehensive historical and biographical introduction, focuses on composers significant in their own time, and offers modern notation for contemporary performers.
Monteverdi: Vespers (1610)
A guide to Monteverdi's Vespers, providing in-depth information on music settings and performance practice.
Vesper and Compline Music for One Principal Voice
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance. It includes a comprehensive historical and biographical introduction, focuses on composers significant in their own time, and offers modern notation for contemporary performers.
Vesper and Compline Music for Five Principal Voices, Part I
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance. It includes a comprehensive historical and biographical introduction, focuses on composers significant in their own time, and offers modern notation for contemporary performers.
