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The Cultural Heritage of Medieval Rituals
The concepts of genre and ritual are central for the overall occupation with the relationship between the History of the Arts and the History of Christianity in Western Culture. The present volume was planned on the basis of the first annual international conferences at the Centre for the Study of the Cultural Heritage of Medieval Rituals, University of Copenhagen: a collection of 15 essays with a wide range of topics both in terms of chronology and subject matter written. The book is a special issue of the journal TRANSfiguration.
Signs of Change
Signs of Change: Transformations of Christian Traditions and their Representation in the Arts, 1000–2000 focuses on the changing relationships between what gradually emerged as the Arts and Christianity, the latter term covering both a stream of ideas and its institutions. The book as a whole is addressed to a general academic audience concerned with issues of cultural history, while the individual essays are also intended as scholarly contributions within their own fields. A collaborative effort by twenty-five European and American scholars representing disciplines ranging from aesthetics to the history of art and architecture, from literature, music and the theatre to classics, church hi...
Pagans and Christians in the Late Roman Empire
Do the terms ?pagan? and ?Christian,? ?transition from paganism to Christianity? still hold as explanatory devices to apply to the political, religious and cultural transformation experienced Empire-wise? Revisiting ?pagans? and ?Christians? in Late Antiquity has been a fertile site of scholarship in recent years: the paradigm shift in the interpretation of the relations between ?pagans? and ?Christians? replaced the old ?conflict model? with a subtler, complex approach and triggered the upsurge of new explanatory models such as multiculturalism, cohabitation, cooperation, identity, or group cohesion. This collection of essays, inscribes itself into the revisionist discussion of pagan-Christ...
Images of Cult and Devotion
Medieval pilgrims not only worshipped relics, they also venerated statues and paintings. These images or idols' were of particular importance in the day-to-day religion of ordinary people judged superstitious by the Church.
A Selection of Papers on Arctic Geography and Ethnology
Reprint of the original, first published in 1875.
The Forge of Vision
Religions teach their adherents how to see and feel at the same time; learning to see is not a disembodied process but one hammered from the forge of human need, social relations, and material practice. David Morgan argues that the history of religions may therefore be studied through the lens of their salient visual themes. The Forge of Vision tells the history of Christianity from the sixteenth century through the present by selecting the visual themes of faith that have profoundly influenced its development. After exploring how distinctive Catholic and Protestant visual cultures emerged in the early modern period, Morgan examines a variety of Christian visual practices, ranging from the imagination, visions of nationhood, the likeness of Jesus, the material life of words, and the role of modern art as a spiritual quest, to the importance of images for education, devotion, worship, and domestic life. An insightful, informed presentation of how Christianity has shaped and continues to shape the modern world, this work is a must-read for scholars and students across fields of religious studies, history, and art history.
Inventing William of Norwich
In Inventing William of Norwich Heather Blurton offers a revisionist reading of Thomas Monmouth's account of the saint's life that contains the earliest account of a Christian child ritually murdered by Jews. She demonstrates how innovations in literary forms in the twelfth century shaped the articulation of medieval antisemitism.
Media inter Media
This interdisciplinary volume explores, analyzes, and celebrates intermedial processes. It investigates the dynamic relations between media in contemporary artistic productions such as digitalized poetry and installations or musical scores by Walter Steffens and Hugh Davies; in texts like Dieter Roth’s diaries, Ror Wolf’s guidebooks, Charles Baudelaire’s art criticism, or Lewis Carroll’s Alice books; and in inherently intermedial pieces like Stéphane Mallarmé’s Un Coup de Dés and Augusto de Campos’s poetry. Through distinct and diverse methodological approaches to intermedial inquiry, the contributors probe multiple forms of interaction between media: adaptation, appropriation...
Emotion and Devotion
In Emotion and Devotion Miri Rubin explores the craft of the historian through a series of studies of medieval religious cultures. In three original chapters she approaches the medieval figure of the Virgin Mary with the aim of unravelling meaning and experience. Hymns and miracle tales, altarpieces and sermons – a wide range of sources from many European regions – are made to reveal the creativity and richness which they elicited in medieval people, women and men, clergy and laity, people of status and riches as well as those of modest means. The first chapter, "The Global 'Middle Ages'," considers the current historiographical frame for the study of religious cultures and suggests ways...
Transcendence and Sensoriness
Protestant theology and culture are known for a reserved, at times skeptical, attitude to the use of art and aesthetic forms of expression in a religious context. In Transcendence and Sensoriness, this attitude is analysed and discussed both theoretically and through case studies considered in a broad theological and philosophical framework of religious aesthetics. Nordic scholars of theology, philosophy, art, music, and architecture, discuss questions of transcendence, the human senses, and the arts in order to challenge established perspectives within the aesthetics of religion and theology.
