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In this powerful debut novel from Racine Hiet, a young girl named April is chosen by fate to participate in a terrible, bloody crime. Unjustly charged and persecuted for what occurs, her life is brutally scarred and forever changed. She reinvents herself by changing her name and locking away her past. But when she falls passionately in love with a remarkable man named Markus, a fierce flame is kindled inside her--one that will illuminate her dark past while igniting a future that offers a chance at happiness and love. In the memorable tradition of "The Lovely Bones" and "White Oleander," and through the use of incisive but sensitive and irresistible prose, Racine Hiet has conjured up a haunting tale of good versus evil and of a young woman's spirited struggle to reach the pinnacle of light in what is oftentimes a dark and dangerous world.
The close relationship between motion (bodily movement) and emotion (feelings) is not an etymological coincidence. While moving ourselves, we move others; in observing others move – we are moved ourselves. The fundamentally interpersonal nature of mind and language has recently received due attention, but the key role of (e)motion in this context has remained something of a blind spot. The present book rectifies this gap by gathering contributions from leading philosophers, psychologists and linguists working in the area. Framed by an introducing prologue and a summarizing epilogue (written by Colwyn Trevarthen, who brought the phenomenological notion of intersubjectivity to a wider audience some 30 years ago) the volume elaborates a dynamical, active view of emotion, along with an affect-laden view of motion – and explores their significance for consciousness, intersubjectivity, and language. As such, it contributes to the emerging interdisciplinary field of mind science, transcending hitherto dominant computationalist and cognitivist approaches. Now Open Access as part of the Knowledge Unlatched 2017 Backlist Collection.
In the 1990s, Latin America emerged from the horror of massive human rights violations as it returned to civilian-elected regimes. This volume aims to explore the lasting legacy of the transformations brought about by the oppressive regimes of the '70s and '80s as they are experienced in the cultural, social and intellectual life of the region.
Master of the Cinematic Universe is a guide to the future of trans-media storytelling. Content creators of every flavor are constantly needing to expand the mediums they can work in. This volume serves as a resource for using the timeless truths of story structure to craft established as well as up and coming short-form media formats.
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