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Performing the Sacred: Christian Representation and the Arts
What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? This book addresses the issue from the Middle Ages to the Modern era and showcases examples of how Christians have represented their biblical narrative.
Common Culture and the Ideology of Difference in Medieval and Contemporary Poland
Teresa Pac provides a much-needed contribution to the discussion on shared culture as foundational to societal survival. Through the examination of common culture as a process in medieval Kraków, Poznań, and Lublin, Pac challenges the ideology of difference—institutional, religious, ethnic, and nationalistic. Similarly, Pac maintains, twenty-first century Polish leaders utilize anachronistic approaches in the invention of Polish Catholic identity to counteract the country’s increasing ethnic and religious diversity. As in the medieval period, contemporary Polish political and social elites subscribe to the European Union’s ideology of difference, legitimized by a European Christian heritage, and its intended basis for discrimination against non-Christians and non-white individuals under the auspices of democratic values and minority rights, among which Muslims are a significant target.
The Birth of a Stereotype
In early Medieval Western Europe intellectuals were used to indicate the external location of Slavic countries, as though outside civilization, with the term ‘the North’. The problem did not only concern nomenclature. The stereotype associated with ‘the North’ pointed at the obvious cold weather, but also the primeval nature of the land and people. This study shows the detailed image of Poland created by German authors in the earliest period of existence of the Piast state (963-1034). An important aim of this work was also to identify the wider context of written opinions. Another purpose was to gather information illustrating actions taken by the Polish rulers aimed at creating an image of themselves as civilized men and true Christians.
Domus Bolezlai: Values and social identity in dynastic traditions of medieval Poland (c.966-1138)
Between the middle of the 10th century and the middle of the 12th century both the cultural and the national identities of the Poles were formed. They were determined by political decisions made by the rulers from the Piast ruling house and built on a framework consisting of stories focused on the Piasts’ past. In all of this a dynastic tradition supported by the current ruler and his entourage was created and re-created. Tradition was understood as communication, the aim of which was to transmit values which define ways of perceiving the world by those people who accept this tradition as their own – by the Poles. The aim of the work is to seek traces of these traditions and values still alive in Polish culture.
Women in the Piast Dynasty
This is the first comprehensive study of the role of women in the Polish Piast dynasty from 965 until c.1144, comparing them with female members of other contemporary medieval dynasties.
The Trees of the Cross
A revelatory exploration of wood's many material, ecological, and symbolic meanings in the religious art of medieval Germany "A rewarding study that is full of new insights."--Jeremy Warren, Art Newspaper In late medieval Germany, wood was a material laden with significance. It was an important part of the local environment and economy, as well as an object of religious devotion in and of itself. Gregory C. Bryda examines the multiple meanings of wood and greenery within religious art--as a material, as a feature of agrarian life, and as a symbol of the cross, whose wood has resonances with other iconographies in the liturgy. Bryda discusses how influential artists such as Matthias Grünewal...
Visual Genesis of Japanese National Identity
This volume offers an entirely new view of the concept of constructing nation-states. It inquires into the nature of national identity constructs produced in pre-modern Japan through examining two aspects of its cultural production, the sphere of fine arts and the sphere of literature.
Eastern Europe in the Middle Ages (500-1300) (2 vols)
Winner of the 2020 Verbruggen prize This book offers an an overview of the current state of research and a basic route map for navigating an abundant historiography available in 10 different languages. The book is also an invitation to comparison between various parts of the region over the same period.
