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Paris et les artistes polonais 1945–1989 / Paris and the Polish artists 1945–1989
Paris et les artistes polonais 1945-1989 / Paris and the Polish artists 1945-1989 is a volume dedicated to Polish-French artistic relations after the Second World War, in times dominated politically by communist ideology and defined by Poland’s place within the camp of the countries of ‘people’s democracy’. Since the 1950s, the Polish authorities, discreetly opposed to the political and cultural ideology of Soviet socialist realism, generally rejected in 1955 by artistic circles, promoted modernity based on a model of art-shaped in France – a country that supported Poland politically (with the involvement of the French president Charles de Gaulle) and where the Left held a strong position, with ties to the Communist Party of France. The pro-French policy of Poland (in terms of culture, too) also resulted from the desire to marginalize London as the seat of the Polish government in exile.
Henryk Siemiradzki
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Henryk Siemiradzki
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Art of the United Kingdom of Great Britain and Northern Ireland & the Republic of Ireland in 20th-21st Centuries and Polish-British & Irish Art Relations
Art of the United Kingdom of Great Britain and Northern Ireland & the Republic of Ireland in 20th–21st Centuries and Polish–British & Irish Art Relations is the fifth volume of Studies on Modern Art and a first book of this kind in Poland.The volume presents research on British and Irish art conducted mainly by Polish scholars. So far, the research on British art in the 20th century – in comparison to the research on modern French, German, Russian, Italian and American art – has been taken up only sporadically. The greatest number of Polish publications have concernedpost-war British art, while there is almost no publication devoted to interwar art. No research on Irish art has been ...
