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Jill Orr
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Jill Orr
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Jill Orr
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Jill Orr
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Jill Orr
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Jill Orr
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Jill Orr
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The Good Byline
Meet Riley Ellison, a smart, quirky, young library assistant who’s become known in her hometown of Tuttle Corner, Virginia, as Riley Bless-Her-Heart. Ever since her beloved granddaddy died and her longtime boyfriend broke up with her, Riley has been withdrawing from life. In an effort to rejoin the living, she signs up for an online dating service and tries to reconnect with her childhood best friend, Jordan James, a reporter at the Tuttle Times. But when she learns that Jordan committed suicide, Riley is shaken to the core. Riley agrees to write Jordan's obituary as a way to learn more about why a young woman with so much to live for would suddenly opt out. Jordan’s co-worker, a paranoid reporter with a penchant for conspiracy theories, convinces Riley that Jordan’s death was no suicide. He leads her down a dangerous path toward organized crime, secret lovers, and suspicious taco trucks. Riley’s serpentine hunt for the truth eventually intersects with her emerging love life, and she makes a discovery that puts everything Riley holds dear—her job, the people she loves, and even her life—in danger. Will writing this obituary be the death of her?
The Darkroom
Anne Marsh's treatise on the art of photography traces its theoretical underpinning from the early debates between the rationalists and the fantasists, through psychoanalytical interpretations, to the theatre of desire. She investigates the role of photography in ghostly performances', the masking of desire' and high camp aesthetics' - through to performance art' and the role of the photographer as a gender terrorist' - as in the work of Del LaGrace Volcano. The study concludes with notable examples of postmodern photography as they have occurred in the Australian context. This ground-breaking work by a leading Monash University academic will interest all students of photography and followers of recent trends in art and art theory.
How Not to Be Old (Even If You Are)
A PEOPLE Magazine Editor's Pick! “The book brims with wisdom, heart and self-deprecating humor. Friend to every generation, Jill Orr writes with an easy, knowing style — you can practically sense her smile radiating through the page.” — Columbia Daily Tribune Old suggests you have life experience, but OLD means you won’t shut up about it. Old brings with it a more relaxed pace of life, while OLD is synonymous with slow driving (and even slower digestion). Old comes with a quiet confidence envied by youth, but OLD comes with bitterness and a rigidity that youth cannot rightfully stand. While growing old is a privilege, becoming OLD is optional. If you don’t mind being “Okay, Kar...
