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James McGavran’s new translation of Vladimir Mayakovsky’s poetry is the first to fully capture the Futurist and Soviet agitprop artist’s voice. Because of his work as a propagandist for the Soviet regime, and because of his posthumous enshrinement by Stalin as “the best and most talented poet of our Soviet epoch,” Mayakovsky has most often been interpreted—and translated—within a political context. McGavran’s translations reveal a more nuanced poet who possessed a passion for word creation and linguistic manipulation. Mayakovsky’s bombastic metaphors and formal élan shine through in these translations, and McGavran’s commentary provides vital information on Mayakovsky, illuminating the poet’s many references to the Russian literary canon, his contemporaries in art and culture, and Soviet figures and policies.
In this wide-ranging and richly detailed book Alan Richardson addresses many issues in literary and educational history never before examined together. The result is an unprecedented study of how transformations in schooling and literacy in Britain between 1780 and 1832 helped shape the provision of literature as we know it. In chapters focused on such topics as definitions of childhood, educational methods and institutions, children's literature, female education, and publishing ventures aimed at working-class adults, Richardson demonstrates how literary genres, from fairy tales to epic poems, were enlisted in an ambitious program for transforming social relations through reading and education. Themes include literary developments such as the domestic novel, a sanitized and age-stratified literature for children, the invention of 'popular' literature, and the constitution of 'Literature' itself in the modern sense. Romantic texts - by Wordsworth, Shelley, Blake, and Yearsley among others - are reinterpreted in the light of the complex historical and social issues which inform them, and which they in turn critically address.
During the Second World War, the United Kingdom faced severe shortages of many essential raw materials. To keep its armaments factories running, the British government enlisted millions of people in efforts to recycle a wide range of materials for use in munitions production. Recycling not only supplied British munitions factories with much-needed raw materials - it also played a key role in the efforts of the British government to maintain the morale of its citizens, to secure billions of dollars in Lend-Lease aid from the United States, and even to uncover foreign intelligence. However, Britain's wartime recycling campaign came at a cost: it consumed many items that would never have been destroyed under normal circumstances, including significant parts of the nation's cultural heritage. Based on extensive archival research, Peter Thorsheim examines the relationship between armaments production, civil liberties, cultural preservation, and diplomacy, making Waste into Weapons the first in-depth history of twentieth-century recycling in Britain.
This new collection by award-winning author Reginald Gibbons explores human experience and memory in ordinary settings—city apartments, rural roads, soap operas, and juvenile court—as way to understand the depths of thought and feeling in our everyday encounters. These narrative meditations explode with imagery, looking and listening deeply into our everyday experience—the extraordinary within the ordinary, the impossible within the possible. Reginald Gibbons is the author of numerous collections of poetry and fiction. His book Creatures of a Day was a poetry finalist for the National Book Award. He lives in Evanston, IL, where he teaches at Northwestern University.
"Early in the twentieth century, Americans and other English-speaking nations began to regard adolescence as a separate phase of life. Associated with uncertainty, inwardness, instability, and sexual energy, adolescence acquired its own tastes, habits, subcultures, slang, economic interests, and art forms." "The first comprehensive study of adolescence in twentieth-century poetry, The Forms of Youth recasts the history of how English-speaking cultures began to view this phase of life as a valuable state of consciousness, if not the very essence of a Western identity."--BOOK JACKET.
This biography is more than one man’s interpretation of another person’s life—it has numerous traits of an autobiography. Donald McGavran, His Early Life and Ministry: An Apostolic Vision for Reaching the Nations includes insights gleaned from archives, as well as hours of discussion with both Donald and Mary McGavran about the interpretation applied to particular events.
Closet Stages examines theater theory produced by middle- and upper-class British women-playwrights, actresses, and spectators-between 1790 and 1840. Shifting the focus away from the Romantic male writers to the journals, letters, and play prefaces in which women framed their relationship to the theater arts, Catherine Burroughs reveals how a concern with the performative aspects of daily life and the movement between public and private spheres produced a notion of theater that complicates the Romantic opposition between "closet" and "stage."
In January 1829, an angry mob in Tehran murdered Russian poet and diplomat Alexander Griboedov, author of the verse comedy Woe from Wit and architect of the Russian annexation of the north Caucasus from Persia after the Russo-Persian War. A century later, the Russian formalist writer Yury Tynianov wrote a historical novel about the event entitled The Death of Vazir-Mukhtar. In this wide-ranging study, Anna Aydinyan posits that The Death of Vazir-Mukhtar conceptualizes Orientalism fifty years before Edward Said coined the term. She argues that Tynianov parodied historical works on the Caucasus in his novel in order to critique the ways in which exoticizing the East enabled imperialism and colonization. Analysing literary and non-literary texts on Russia’s relationship with Iran, along with the economic and cultural development of Transcaucasia after the Russo-Persian War, Formalists against Imperialism studies Russian culture within the framework of comparative colonialisms and examines the twentieth-century Russian reconsideration of the country’s imperial past.
Avant-Garde Post– follows seven Russophone poets as they reinvigorate leftist art in the wake of state socialism. Rejecting both the Putin regime—with its selective mobilizations of Soviet nostalgia—and Western discourses of liberal superiority, this circle is reviving class-based critique through experimental forms and global collaborations.
One fateful night, when a group of animal rights activists try to release animals from a laboratory to prevent cruel experiments, they unknowingly set forth events that will lead to catastrophy. Scientists lose control of their experiments, two wealthy and powerful men begin to collect their pawns, and soon the battle between humanity and monsters begins. Where will you be when the Wicked rise?