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Too Heavy for Your Pocket
In the summer of 1961, the Freedom Riders are embarking on a courageous journey into the Deep South. When twenty-year-old Bowzie Brandon gives up a life-changing college scholarship to join the movement, he’ll have to convince his loved ones—and himself—that shaping his country’s future might be worth jeopardizing his own.
25 Plays from The Fire This Time Festival
While the past decade proved to be some of the most tumultuous times in modern US history, the Black community has been resilient, opening up dialogues and sustaining advocacy. Nowhere has this been more apparent than at the Obie Award-winning The Fire This Time Festival in New York City. Since being founded in 2009, this theater festival has become the destination for emerging and early career playwrights from the African diaspora. Inequality in education and healthcare, skewed and negative images of Black people in mainstream media, racism in policing, widespread gentrification and its effects on multi-generational Black neighbourhoods, and the growth of Black love; these conversations hav...
The Dancing Granny
Spider Ananse gets Granny started dancing so he can raid her garden, but his own trick does him in.
We Are Proud To Present a Presentation About the Herero of Namibia, Formerly Known as Southwest Africa, From the German Sudwestafrika, Between the Years 1884 - 1915
I'm not doing a German accent You aren't doing an African accent We aren't doing accents A group of actors gather to tell the little-known story of the first genocide of the twentieth century. As the full force of a horrific past crashes into the good intentions of the present, what seemed a far-away place and time is suddenly all too close to home. Just whose story are they telling? Award-winning playwright Jackie Sibblies Drury collides the political with the personal in a play that is irreverently funny and seriously brave. We Are Proud To Present . . . received its European premiere at the Bush Theatre, London, on 28 February 2014.
Start Down
A San Francisco programmer, Will, latches onto an idea for a startup that will automate the work teachers do in their classrooms. But as the idea begins to take off, it becomes clear that Will’s new company may threaten his fiancée’s job.
Native Son
"Suffocating in rat-infested poverty on the South Side of Chicago in the 1930s, 20-year -old Bigger Thomas struggles to find a place for himself in a world whose prejudice has shut him out. After taking a job in a wealthy white man's house, Bigger unwittingly unleashes a series of events that violently and irrevocably seal his fate. Adapted with theatrical ingenuity by Chicago's own Nambi E. Kelley, this Native Son captures the power of Richard Wright's novel for a whole new generation."--Page 4 of cover.
Bobbie Clearly
Something unspeakable happened in the middle of a cornfield two years ago. Now, at last, the upstanding residents of Milton, Nebraska – from the cop and the nurse to the co-captains of the dance team, and even Bobbie himself – are ready to tell you their sides of the story. This comedy-about-a-tragedy follows asprawling cast of characters as a small town strives to make sense of senseless violence.
Bring on the Bard
Kevin Long and Mary T. Christel offer active drama approaches that position students to engage with a rich text through low-risk speaking and improvisation activities as a part of any ELA classroom. Shakespeare didn't write his plays for readers; he wrote individual "cue scripts" for actors who hadn't read the entire play but had to perform on the fly with almost no rehearsal. Those cue scripts have become the written form of his dramas, compiled originally in the First Folio of 1623. And the actors' cues for meaning, emotion, and emphasis are still embedded in Shakespeare's language, ripe for discovery by today's students. Shakespeare's plays rightly remain a staple of the ELA curriculum, b...
An Octoroon
'What you gonna do once you free? You just gonna walk up in somebody house and be like,"Hey. I'm a slave. Help me?"' Judge Peyton is dead, and his plantation Terrebonne is in financial ruins. Peyton's handsome nephew George arrives as heir apparent, and quickly falls in love with Zoe, a beautiful 'octoroon'. But the dastardly M'Closky has other plans - for both Terrebonne and Zoe. Branden Jacobs-Jenkins' exhilarating play, An Octoroon, draws on Dion Boucicault's 1859 melodrama The Octoroon to explore issues about race and identity in America today. The play won an OBIE Award when it was first seen in New York in 2014, and had its European premiere at the Orange Tree Theatre, Richmond, in 2017. It transferred to the National Theatre, London, in 2018. An Octoroon won Branden Jacobs-Jenkins the Most Promising Playwright Award at the Evening Standard Awards in 2017. He was also named Most Promising Playwright at the Critics' Circle Awards in 2018 for his plays Gloria and An Octoroon.
Guyton\Walker
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