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The interrelations between objects and organisms take many forms, from the microbes known to inhabit medieval manuscripts to the biomorphic forms observable in Art Nouveau lamps, and from the androids cast in American superhero comics to the coral found on Chinese porcelain recovered from shipwrecks. The contributions to this volume investigate various interactions between inanimate and animate matter in art, literature, technology, and other areas of human perception and expression. The book highlights how certain characteristics allow objects to be understood as living organisms, and vice versa. Via a range of dynamics involving vivification and reification, objects and organisms emerge as unstable, transforming within evolving situations. Innovative, interdisciplinary object-scientific contribution to critical ecology From the early modern period into the 21st century
Medieval towns were vibrant and complex social environments where diverse groups and lifestyles encountered and influenced each other. Surprisingly, in the study of urban archaeology, the aristocracy, one of the leading and most influential groups in medieval society, has so far been neglected. This book puts "aristocracy in towns" on the archaeological research agenda. The interdisciplinary and comparative study explores the significance and representation of aristocrats and their interaction with civic elites in sea-trading towns of the southwestern Baltic from the 12th to the 14th centuries. Essentially, however, the analysis of urban elite culture leads to discussion of a much more fundamental issue: the informative value of material culture for the investigation of social conditions. The book provides new archaeological approaches to the study of social differentiation in towns, and contributes to a deeper understanding of the complexity of urban social structures.
Feathered with illustrations, a deep dive into the meaning of this half-lion, half-bird creature over millennia of human history. Griffinology is a fascinating exploration of the mythical creature’s many depictions in human culture. Drawing on a wealth of historical and literary sources, this book shows how the griffin has captured the imagination of people for over five thousand years, representing power, transcendence, and even divinity. It explores the history and symbolism of griffins in art, from their appearances in ancient Egyptian magic wands to medieval bestiaries, and from medieval coats of arms to modern corporate logos. The use of the griffin as a symbol of power and protection is surveyed throughout history and into modern times, such as in the Harry Potter series. Beautifully illustrated, this book should appeal to all those interested in monsters, magic, and the mystical, as well as art and history.
A Bridge to the Sky explores the close connections between science, arts, and visual culture as they developed in the medieval Islamic lands. It presents a significant study of the career of 'Abbas Ibn Firnas, (d. 887), the most celebrated 'scientist' and polymath of early Islamic Spain, best known for conducting an experiment that has been celebrated as a milestone in the history of human flight.
In This Modern Age: Medieval Studies in Honor of Paul Edward Dutton is a collection of fourteen essays by scholars of the Carolingian era specializing in history, art history, and literature. The volume is divided into five sections, which treat early medieval Latin literary and historiographical culture, images and objects, interpretations of natural phenomena, and the subject of nostalgia. Reflecting Dutton's pathbreaking work, the contributions all evince the great impact of his teaching and erudition over the past thirty years since the publication of his seminal books Carolingian Civilization: A Reader (1993), The Politics of Dreaming in the Carolingian Empire (1994), The Poetry and Pai...
Renowned art historian Herbert L. Kessler authors a love song to medieval art inviting students, teachers, and professional medievalists to experience the wondrous, complex art of the Middle Ages.
In the modern lexicon, ‘object’ refers to an entity that is materially constituted, spatially defined, and functionally determined. In contrast, the Latin word ‘fantasia’ has, since antiquity, referred to an apparition or the ability to imagine something that could be equally an object, an image, or a concept. This tension prompts further inquiry into the interrelations and differences between the experience of tangible objects (their perception and handling) and the creation of new objects (their conception and formation). What correlations exist between object fantasies, the self-consciousness of subjects, and the concrete and imagined conditions of human beings’ social lives? By addressing this question, this interdisciplinary book opens new perspectives in the field of object studies.
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With the aim to write the history of Christianity in Scandinavia with Jerusalem as a lens, this book investigates the image – or rather the imagination – of Jerusalem in the religious, political, and artistic cultures of Scandinavia through most of the second millennium. Jerusalem is conceived as a code to Christian cultures in Scandinavia. The first volume is dealing with the different notions of Jerusalem in the Middle Ages. Tracing the Jerusalem Code in three volumes Volume 1: The Holy City Christian Cultures in Medieval Scandinavia (ca. 1100–1536) Volume 2: The Chosen People Christian Cultures in Early Modern Scandinavia (1536–ca. 1750) Volume 3: The Promised Land Christian Cultures in Modern Scandinavia (ca. 1750–ca. 1920)
Der 'Markuslöwe' in Venedig, die 'Kapitolinische Wölfin' in Rom oder der 'Greif' auf der Kaiserpfalz in Goslar: Monumentale Tierbronzen dominierten viele mittelalterliche Städte und Paläste. Ob aus der Antike übernommen, überarbeitet und teils verändert oder neu gegossen, stellen sie aufgrund ihrer Größe, Platzierung und meist offen gehaltenen Bedeutungen bis heute ideale Identifikationsfiguren für einzelne Individuen oder soziale Gruppen dar. Der Band nimmt ausgewählte Bronzen südlich und nördlich der Alpen, ihre Geschichten und Rezeptionsweisen erstmals vergleichend und interdisziplinär in den Blick.