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Sterling A. Brown
Sterling A. Brown's achievement and influence in the field of American literature and culture are unquestionably significant. His poetry has been translated into Spanish, French, German, and Russian and has been read in literary circles throughout the world. He is also one of the principal architects of black criticism. His critical essays and books are seminal works that give an insider's perspective of literature by and about blacks. Leopold Sedar Senghor, who became familiar with Brown's poetry and criticism in the 1920s and 1930s, called him "an original militant of Negritude, a precursor of our movement." Yet Joanne V. Gabbin's book, originally published in 1985, remains the only study of Brown's work and influence. Gabbin sketches Brown's life, drawing on personal interviews and viewing his achievements as a poet, critic, and cultural griot. She analyzes in depth the formal and thematic qualities of his poetry, revealing his subtle adaptation of song forms, especially the blues. To articulate the aesthetic principles Brown recognized in the writings of black authors, Gabbin explores his identification of the various elements that have come together to create American culture.
The Furious Flowering of African American Poetry
Furious Flowering offers students, scholars, readers, and writers of African-American poetry a chance to take part in an unprecedented discussion of a complex literary culture.
The Atrocity of Water
"Kirsten Hemmy's remarkable book of poems, The Atrocity of Water, reaches us in the deep places of the heart where only a poem can go, where the reader will 'want to know what survives us.' These are wise poems that penetrate the mind with their brutal honesty. Again and again, we are broken and mended and again broken because ours is a world 'built on enslaved sweat, ' a world where 'all the tragedies of the world are a silence.' This book is the voice of thousands who cannot tell their own stories. Kirsten is a brave poet, seeking to restore to us that world that was lost, a world she has seen not only in her dreams. These powerful poems are urgently relevant." - Patricia Jabbeh Wesley, author of Where the Road Turn
Furious Flower
Furious Flower: African-American Poetry from the Black Arts Movement to the Present Edited by Joanne V. Gabbin The Furious Flower Conference of 1994 represented the largest gathering of African American writers at one event in nearly thirty years. In that crucial span of time, African American poetry had evolved into an art less overtly political and more introspective; it had also shown dramatic growth—both in the number of its readers and its practitioners. As a second Furious Flower Conference prepares to convene, Joanne Gabbin has assembled a remarkable selection of works by the Furious Flower participants. The forty-three poets cover three generations, ranging from such established vo...
Achieving Blackness
Achieving Blackness offers an important examination of the complexities of race and ethnicity in the context of black nationalist movements in the United States. By examining the rise of the Nation of Islam, the Black Power Movement of the 1960s and 1970s, and the “Afrocentric era” of the 1980s through 1990s Austin shows how theories of race have shaped ideas about the meaning of “Blackness” within different time periods of the twentieth-century. Achieving Blackness provides both a fascinating history of Blackness and a theoretically challenging understanding of race and ethnicity. Austin traces how Blackness was defined by cultural ideas, social practices and shared identities as we...
Black Nature
Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and Af...
I Am a Black Woman
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Me (Moth)
FINALIST FOR THE 2021 NATIONAL BOOK AWARD FOR YOUNG PEOPLE'S LITERATURE A debut YA novel-in-verse by Amber McBride, Me (Moth) is about a teen girl who is grieving the deaths of her family, and a teen boy who crosses her path. Moth has lost her family in an accident. Though she lives with her aunt, she feels alone and uprooted. Until she meets Sani, a boy who is also searching for his roots. If he knows more about where he comes from, maybe he’ll be able to understand his ongoing depression. And if Moth can help him feel grounded, then perhaps she too will discover the history she carries in her bones. Moth and Sani take a road trip that has them chasing ghosts and searching for ancestors. The way each moves forward is surprising, powerful, and unforgettable. Here is an exquisite and uplifting novel about identity, first love, and the ways that our memories and our roots steer us through the universe.
Shaping Memories
This anthology offers short chapters by notable black women writers on pivotal moments that strongly influenced their careers. It provides a thorough overview of the formal concerns and thematic issues facing contemporary black women writers, and includes an introduction that places these writers in the context of American literature in general and African American literature in particular.
Blush
“I promise: you will be transported,” says Bill Moyers of this memoir. Part Mennonite in a Little Black Dress, part Growing Up Amish, and part Little House on the Prairie, this book evokes a lost time, in Lancaster County, Pennsylvania, when a sheltered little girl named after Shirley Temple entered a family and church caught up in the midst of the cultural changes of the 1950”s and ‘60’s. With gentle humor and clear-eyed affection the author, who grew up to become a college president, tells the story of her first encounters with the “glittering world” and her desire for “fancy” forbidden things she could see but not touch. The reader enters a plain Mennonite Church buildin...
