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Cent cinquanta cartes que ens ofereixen un ventall ampli de les relacions que l’uruguaià-català va tenir amb els seus amics catalans. La seva creació artística especialment pictòrica- i la seva teoria de l’art n’han fet una figura cabdal de l’art universal.
Catalan Cinema offers a theoretical reading of the most relevant cinematic productions to emerge from Catalonia in the last twenty years. The essays in this collection examine cinema in relation to the Escola de Barcelona (The Barcelona School), a group of cinema directors that drew inspiration from British pop-art, Free Cinema, and the Nouvelle Vague to create works that defied and challenged the Franco dictatorship. Highlighting the aesthetic, social, and political elements of Catalan cinematography, contributors to this volume explore what young directors have in common with works created by more notable directors such as Joaquim Jordà, Jacinto Esteva, Jordi Grau, and Pere Portabella. Catalan Cinema focuses on the importance of modern production and its connection with the avant-garde and underground cinema from the Barcelona School. Establishing a cinematic genealogy, the volume ultimately questions if Catalan cinema’s own push for self-expression may be interpreted as a connection to Catalonia’s current drive for independence.
This book looks at the reasons behind the emergence of a Catalan nationalist movement from the late 1880s, one of the most important developments that took place in nineteenth-century Spain, with the 'Catalan question' thereafter never far from the centre of the Spanish political stage.
Joaquín Sorolla (born in Valencia 1863 - died in Cercedilla 1923) is one of the most successful Spanish painters ever. He was a genius in capturing the essence of the scene he was painting. In Joaquín Sorolla Portraits 2 1900 -1910 Sorolla becomes a celebrated portrait painter. Following the success of his one man exhibitions in France 1906, to a lesser degree Germany 1907, England 1908 but especially the USA 1909 portrait commissions flooded in. But even before Paris Sorolla produced a large number of portraits. Many of his most important sitters were male, but Sorolla did exquisite female portraits as well. Among his most successful portraits were those of female sitters whom he invariably imbued with an elegance and beauty that rank them alongside the portraits of his contemporaries Giovanni Boldini, Anders Zorn and John Singer Sargent.
A composer of singular vision. Joaquín Rodrigo (1901–1999) is best known as the composer of one of the most popular works of music in the twentieth century—the Concierto de Aranjuez for guitar and orchestra. It’s been featured in movies and television commercials and remains a staple of concert programs for orchestras around the world. Miles Davis said, “After listening to it for a couple of weeks…I couldn’t get it out of my mind,” and he used it as inspiration for his album Sketches of Spain. But as Javier Suárez-Pajares and Walter Aaron Clark reveal in this musical biography—the first complete study in English—Rodrigo’s work and influence extend far beyond that singul...
This volume attempts to equip the English-speaking reader with a fuller understanding of the uniqueness and quality of the culture of Catalonia by providing a comprehensive portfolio of the creative contribution of the nation across a broad spectrum of achievement.
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This monograph presents an experimental and theoretical inquiry into the role of sentential form and variation in the prosodic structure of Catalan. The empirical section examines intonational phrasing across sentence forms, including SVO structures with either nominal or sentential objects and structures involving clitic left- and right-dislocations. The results show variation in phrasing that depends on syntactic factors and non-syntactic factors such as topic-hood and prosodic binarity. The theoretical section uses Stochastic Optimality Theory to model the variation and frequency distributions associated with the observed prosodic patterns. Various syntactic and non-syntactic factors are represented by alignment constraints, which play a major role in Catalan, and by constraints that limit size and those that limit the overall amount of prosodic structure. This study represents a combined approach to prosody and syntax and is of particular relevance for theoretical and empirical linguists interested in the relationship between these domains both in Catalan and other languages.