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Metalsmiths and Mentors
The history of contemporary American metalsmithing is inextricably linked with the academy. Since the 1950s, nearly every significant artist working in metals has trained at a university or art school--fertile ground for innovation and exploration in metalsmithing and jewelry making. The University of Wisconsin-Madison's metals program is among the best in the nation, founded on the teaching legacy of Fred Fenster and Eleanor Moty, who instilled in their students a profound respect for craftsmanship, technical innovation, formal integrity, and thoughtful design. The work in this catalogue encompasses hollowware and jewelry, wearable sculpture, poetic and narrative objects, and conceptual installations. The show at the Chazen Museum of Art was produced by guest curator Jody Clowes
Don Reitz
Don Reitz is recognized as one of the most important and influential ceramic artists of this century. Trained at Alfred University in the early 1960s, Reitz has pursued a life-long investigation of salt and wood firing of his ceramic pieces in order to preserve the energy and freshness of his artistic marks and gestures. Finding that the texture and unpredictability of salt-firing suited his work, Reitz almost single-handedly revived this neglected technique, and through long experimentation developed a range of colors and surface effects previously unknown in salt-firing. Juggling and manipulating the variables in each firing, Reitz is a virtuoso who relishes knowing what he can control and what he cannot. His work maintains a fine balance between technical mastery and improvisation. The Elvehjem Museum of Art (now the Chazen Museum of Art) retrospective features some seventy-four ceramic works that Reitz created between 1960 and the present. Distributed for the Chazen Museum of Art, University of Wisconsin-Madison
A Renaissance Treasury
Winters introduces Richard Flagg and Erma Flagg's collection of some hundred objects made during 1450 to 1900. Most of the beautifully crafted, highly decorative, yet functional pieces are examples of Renaissance and Baroque marvels; they include clocks (a particularly varied and sumptuaous collection), sculpture, inlaid boxes, china and glassware, tankards, metalwork, and furniture. Each of the 77 individual chefs-d'oeuvres documented in this catalog, celebrating the gift of the Flaggs to the Milwaukee Art Museum, are exceptional examples of artisty combined with technical achievement. Such is the case with a 15th-century Cassone from Florence replete with intarsia and coat of arms, signali...
A Chosen Path
Renowned ceramic artist Karen Karnes has created some of the most iconic pottery of the late twentieth and early twenty-first centuries. The body of work she has produced in her more than sixty years in the studio is remarkable for its depth, personal voice, and consistent innovation. Many of her pieces defy category, invoking body and landscape, pottery and sculpture, male and female, hand and eye. Equally compelling are Karnes's experiences in some of the most significant cultural settings of her generation: from the worker-owned cooperative housing of her childhood, to Brooklyn College under modernist Serge Chermayeff, to North Carolina's avant-garde Black Mountain College, to the Gate Hi...
Encyclopedia of Interior Design
First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Industrial Strength Design
This book documents the work of designer Brooks Stevens. It includes 250 illustrations of designs by Stevens and his firm, many in color, detailed studies of individual designs, interpretative essays, and several key writings by Stevens himself.
American Craft
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Charles Munch
Charles Munch is well known in the American Midwest for his bold, luminously colored paintings of people and animals in expansive landscapes. For twenty-five years, his richly imagined images have explored the tangled relationship between tame and wild, between humans and the rest of the natural world. The elegant simplicity of his pictures has caused them to be described as "nature icons." Charles Munch, Dreaming in Color reveals Munch's transition from the poetic realism of his early work to the brilliant semi-abstraction of today, as well as the personal and artistic crisis at the heart of that dramatic transformation. Jody Clowes contributes a probing essay of critical analysis. Richard ...
Michigan Living
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