You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Fledgling developments in English law in the first few centuries of Anglo-Norman rule will eventually form the basis for common law jurisdictions the world over. That said, most historians maintain that the common law did not fully mature until at least the 1600s. Following a concise legal history of England from 1000-1400, this book argues that common law courts were well-defined and in full operation well before the seventeenth century.
David Goldblatt grew up in the South African town of Randfontein, which was shaped by the social culture and financial success of the gold mines surrounding it. When these mines started to fail in the mid-sixties Goldblatt began taking photos of them, which form the basis of 'On the Mines'. The book features an essay on the human and political dimensions of mining in South Africa by Nobel laureate Nadine Gordimer, whose writing has long influenced Goldblatt.
Originally published by the Standard Bank as part of a curated exhibition in May 2011, this prestigious volume celebrates the life and works of Peter Clarke (1929–2014), one of South Africa’s foremost artists. A mere 500 copies were originally published, all taken up at the exhibition, and continued demand has led to its re-release. Clarke left his job as a dockworker in Simon’s Town to devote himself to art. The wisdom of this decision is reflected in a remarkable career, which extended over some six decades and was acknowledged in the awards of the Order of Ikhamanga (silver) in 2005 and a Lifetime Achievement Award in 2010. Listening to distant thunder: The art of Peter Clarke recou...
In 2009, William Kentridge and Gerhard Marx were commissioned to make a public sculpture for the City of Johannesburg to be installed in time for the 2010 Soccer World Cup. The sculpture is based on a drawing by Kentridge of a woman street vendor - known colloquially as a fire walker - carrying a burning brazier on her head. The eleven-metre-high striding figure would take her place at the foot of the Queen Elizabeth Bridge on a site formerly used by informal traders and taxi washers. Eschewing the bronze monumentalism of traditional public sculpture, Kentridge and Marx devised a figure made up of steel plates that resolves into a coherent image from one vantage point only. A pedestrian pass...
None