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Eclipse in Rwanda
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Naked Truth
A potpourri of witted versification of a social crusader, Naked Truth reveals the kowtowing status of a nation’s sociopolitical and economic stability. It is a collection aimed at social re-engineering/regeneration and liberation from the ramshackleness of a political, religious, economic and cultural cul-de-sac. Stylistically rich dialogue, music together with its accompaniments and different linguistic codes show the versatility of the poet. “Naked Truth” and other poems in this collection are prophetically insightful, casting vivid and exact characters that match our everyday experiences.
Birthcry
With unspeakable tenderness and palpable trepidation, Nigerian poet Obi Nwakanma captures the universal experience of childbirth. From his earlier collection The Horsemen and Other Poems, Nwakanma has become a “sojourner from a tangled past traveling to an uncertain future”, trying to root, shape and steel his unborn child to a world filled with graphic horror and indescribable wonder. Along the way he meets his muse, the sixteenth century mystical Indian poet Mirabai, and recites Elizabeth Bishop over tea. Thematically, Bithcry is intimate, lyrical and unrestrained while retaining a measured, coherent and precise form.
The Fourth Masquerade
As one of the most important Nigerian poets who continue to write the nation in verse, Yeibo, in this fifth collection of poems, has strategically fashioned a kind of poetry that does not only derive its idiom from the prosody and folk tradition of the Izon of Nigeria, it equally advances the poet’s vision through form and structure. His recourse to folklore and reliance on oral materials in the image making process gives coherence and form to the poems. However, what distinguishes this collection from the previous ones is the question of the form through which he demonstrates an intense awareness of the Nigerian experience.
Songs of Myself: Quartet
Songs of Myself: Quartet is deeply rooted in the indigenous African poetic tradition. The great udje poets first composed songs paying tribute to the god of songs, followed by songs of self-exhortation,and then songs mocking themselves before satirizing others. This collection incorporates some of these aspects of the oral poetic genre in its four-part structure. It deals with self-examination and the minstrel’s alter-ego as a way of attempting to know himself. So, there is self-mockery that justifies mocking others. The four parts of the collection are: “Pulling the Thread of the Loom,” “Songs of Myself,” “Songs of the Homeland Warrior,” and “Secret Love and Other Poems.”
Fate and Faith
In Fate and Faith Tunde Adeniran the polemicist celebrated nature, people and the omnipotence of god. There are striking images of a society in need of restoration. Adeniran writes with passion and sometimes with anger but not without the subtlety of a patriotic poet concerned about the future of his people.
Beauty in the Rubble
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Sea of My Mind
Having produced five volumes of poetry, with a vision conscious of nationhood, Raji has become a stable dependable and enduring voice in recent Nigerian poetry. A poet with a consummate political theme, Raji sees versification as an engagement in the socio-political discourse of his land, aimed at forging a just nation.
