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Professor Bhattacharya offers an English-language version of the life of Shyamacharan Lahiri Mahasaya.
Includes section "Reviews and notices of books".
History as a social science is arguably more self-reflective than associated disciplines in that family. Other social scientists seem to see little reason to look beyond the paradigm they are developing in the present times. Historians on the other hand, tend to depend on the cumulative process of the development of their craft and the fund of accumulated knowledge. Yet, while this is acknowledged in the practice of research, Historiography in itself as a subject of study has rarely found its place in the syllabi of Indian universities. Knowledge of Historiography is taken for granted when a scholar plunges into research. In an attempt to address this lacuna, the Indian Council of Historical Research (ICHR) has planned a series of volumes on Historiography comprising articles by subject specialists commissioned by the ICHR. The first volume in the series, Approaches to History: Essays in Indian Historiography brings to the readers the first fruits of that endeavour. While the essays encompass areas of research presently at the frontiers of new research, scholars will also find the bibliographies accompanying the essays of significant appeal.
A householder was seated in his own drawing room at Benares, in the lotus posture, surrounded by his disciples. His complexion was fair and his body well-built. His dreamy eyes were half-closed, fixed as they were on something not of this earth. The aura of his tranquility pervaded the atmosphere. He was explaining the Bhagavad-Gita. The householder was the greatest Yogi of the 19th century, whose cosmic consciousness was entirely free from the limitations of space and time. He was Yogiraj Shri Shri Shyamacharan Lahiri Mahashaya. Kriya Yoga teaches man that God is to be discovered in his own body first, concentrating his gaze on the point between his eyebrows.
This volume is a comprehensive overview of scholarship on this play. It includes chapters on criticism, sources and background, textual studies, bibliographies, editions, and translations. Also covered are the stage history and major productions of the play, and films, music, television, and adaptations and synopses.
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