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Eintragungsorte u.a.: Altdorf, Ansbach, Burgfarnbach, Eichstätt, Ludwigsburg, Nürnberg, Regensburg, Sangershausen, Schaffhausen, Stuttgart, Wien, Würzburg, Zürich.
No detailed description available for "Plett - Schmidseder".
The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.
Newly Updated and Expanded Critical and up-to-the-minute information for the novice, advanced collector, jewelry dealer, curator and appraiser—for all who buy and sell cameos, or who are just fascinated by them. Antiques Roadshow Book Club Selection Since ancient times, cameo making has allowed artists of every era to capture and reflect on the history, literature and lore of their culture. Today, the allure of finely carved cameos is drawing a new generation of both savvy collectors and gifted artists who are captivated by their transcendental elegance. This first and only comprehensive reference guide offers valuable information on: Where to successfully hunt for cameos How to separate o...
Johann Christoph Blumhardt (1805-1880) was a pastoral counselor and theologian of hope. His theology and pastoral approach, shaped as they were by the awakening in his congregation and numerous incidents of faith healing, provoked earnest and lively debate, and the controversy continues today. Ising's work mines the original sources, the product of an interaction with Blumhardt's life and work that goes back many years. He has drawn a portrait that explores the shadows as well as its bright side. Readers are invited to enter fully into the nineteenth century, Blumhardt's century, yet are constantly reminded that the problems of that day have lost none of their currency within the altered mental horizons of today.
This volume is the third in the Beazley Archive (Ashmolean Museum, Oxford) series of 'Studies in Classical Archaeology'. It is based on a group of lectures given in 2003, and now intended as a 'handbook' for the undergraduate degree course in the History of Art.