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Foreign Words
A new perspective on the principal developments in translation practice and theory in Germany during the Age of Goethe with emphasis on the work of Goethe, Holderlin, and Kleist as translators.
Heroes of Charity
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The Other Jewish Question
This book examines how modernizing German-speaking cultures, undergoing their own processes of identification, responded to the narcissistic threat posed by the continued persistence of Judentum (Judaism, Jewry, Jewishness) by representing "the Jew"'s body--or rather parts of that body and the techniques performed upon them. Such fetish-producing practices reveal the question of German-identified modernity to be inseparable from the Jewish Question. But Jewish-identified individuals, immersed in the phantasmagoria of such figurations--in the gutter and garret salon, medical treatise and dirty joke, tabloid caricature and literary depiction, church fa ade and bric-a-brac souvenir--had their o...
Blood, Sweat and Tears - The Changing Concepts of Physiology from Antiquity Into Early Modern Europe
Drawing on the methods of a wide range of academic disciplines, this volume shifts the focus of the history of the body, exploring the many different ways in which its physiology and its fluids were understood in pre-modern European thought.
The God behind the Marble
A history of Germans’ attempts to transform society through art in an age of revolution. For German philosophers at the turn of the nineteenth century, beautiful works of art acted as beacons of freedom, instruments of progress that could model and stimulate the moral autonomy of their beholders. Amid the Revolutionary and Napoleonic wars, Germans struggled to uphold these ideals as they contended with the destruction of art collections, looting, and questions about cultural property. As artworks fell prey to the violence they were supposed to transcend, some began to wonder how art could deliver liberation if it could also quickly become a spoil of war. Alice Goff considers a variety of works—including forty porphyry columns from the tomb of Charlemagne, the Quadriga from the Brandenburg Gate in Berlin, the Laocoön group from Rome, a medieval bronze reliquary from Goslar, a Last Judgment from Danzig, and the mummified body of an official from the Rhenish hamlet of Sinzig—following the conflicts over the ownership, interpretation, conservation, and exhibition of German collections during the Napoleonic period and its aftermath.
Johannes Kepler
This book traces the development of Kepler’s ideas along with his unsteady wanderings in a world dominated by religious turmoil. Johannes Kepler, like Galileo, was a supporter of the Copernican heliocentric world model. From an early stage, his principal objective was to discover “the world behind the world”, i.e. to identify the underlying order and the secrets that make the world function as it does: the hidden world harmony. Kepler was driven both by his religious belief and Greek mysticism, which he found in ancient mathematics. His urge to find a construct encompassing the harmony of every possible aspect of the world – including astronomy, geometry and music – is seen as a manifestation of a deep human desire to bring order to the apparent chaos surrounding our existence. This desire continues to this day as we search for a theory that will finally unify and harmonise the forces of nature.
