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Lost love and abandonment as a primal fear are the subjects of this personal journey through divorce, separation anxiety, and low self-worth. Based on the author's journals kept over three years, it is an honest inquiry into the physical and emotional devastation that ultimately led to the loss of her sense of self. Offering an inspired alternative to extreme anguish, the author weaves opportunities for new growth, greater fulfillment, true intimacy, and creativity through this intimate record.
This book explores the role of constitutionalism in facilitating political change in South Africa.
Uses a single-country case study to enrich research on the role of constitutional courts in new democracies.
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Dimensions of Goodness is based on the second conference of the Notre Dame Institute for Advanced Study, whose aim is to bridge the normative and descriptive dimensions of knowledge by bringing in as many disciplines as possible to address fundamental philosophical issues. While the first conference dealt with the elusive topic of beauty, the second addressed crucial issues of ethics. In the first section of this volume, the German philosophers Franz von Kutschera and Markus Gabriel discuss the nature of values and the reasons why we believe that normativity has a place in the world. In the second section, the British historian Jonathan Israel, the American theologian Jennifer Herdt, and the...
First multi-year cumulation covers six years: 1965-70.
Gathered in honor of John Michael Montias (1928–2005), the foremost scholar on Johannes Vermeer and a pioneer in the study of the socioeconomic dimensions of art, the essays in In His Milieu are an essential contribution to the study of the social functions of making, collecting, displaying, and donating art. The nearly forty essays here by—all internationally recognized experts in the fields of art history and the economics of art—are especially revealing about the Renaissance and Baroque eras and present new material on such artists as Rembrandt, Van Eyck, Rubens, and da Vinci.