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His original yet refined orchestral music was championed by Bruno Walter, Fritz Reiner, Otto Klemperer, Serge Koussevitzky, and other celebrated conductors, and his sensitive songs were performed by such legendary singers as Alma Gluck and Kirsten Flagstad.".
To study this composer is to study the tastes and trends of the American people from 1912 through World War II. This bio-bibliography presents Carpenter's life and works, as well as the contemporary views, reviews, and criticisms that reveal historical attitudes and prejudices of American life in those troubled times. Looking back several decades, it is possible to discover what was enduring, what was transitory, and what elements would become important to our present state of musical composition. This volume includes a biography, a list of works and performances, a discography, and an annotated bibliography and will be of interest to students of music, dancers and choreographers, history bu...
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The first biography of Carpenter, Skyscraper Lullaby balances the composer's complex personal and musical likes. Howard Pollack considers all of Carpenter's works, tracing the evolution of his technique and style. Carpenter studied composition with John Knowles Paine at Harvard and Edward Elgar in Rome, but his greatest influence was the Chicago theorist Bernhard Ziehn, one of the most progressive figures in early twentieth-century music. Carpenter became known for incorporating the contributions of various literal artists in his works.