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Three Acts
"Over the course of the 1970s, John Divola created three compelling bodies of work that together form this publication: Vandalism, LAX NAZ, and Zuma. The Vandalism series comprises black-and-white photographs of the interiors of abandoned houses. After entering illegally, Divola spray painted excessive markings in the form of dots, lines, and grids, creating a series of conceptual gestures that referenced "action painting" as readily as graffiti." "The LAX NAZ (Los Angeles International Airport Noise Abatement Zone) series was created in a condemned neighborhood bought out by the airport to serve as a noise buffer for new runways. Unlike the Vandalism series, where the artist's own intervent...
John Divola
Encompassing four decades of work in the field of photography, this publication examines the art of John Divola, one of the most admired photographers working today. Those interested in contemporary photography will welcome this volume exploring 10 major series by John Divola. Starting with Vandalism, his iconic look at Southern California in the 1970s, and including his most recent work, the Theodore Street project, this collection of beautifully reproduced images shows how expertly Divola moves between medium and technique. Using Polaroids of sculpted objects, appropriated stereographs, and landscapes featuring his own image, Divola's diverse body of work explores painting and conceptual art through his photography. Essays by the accompanying exhibitions' curators explore themes such as existentialism, California and photography in the 1970s, and natural and built environments. Divola's most recent project is discussed in an interview between the artist and Simon Baker.
Vandalism
Between 1974 and 1975, the American photographer John Divola, then in his mid twenties and without a studio of his own, travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In this visceral, black and white series of images Divola vandalised vacant homes with abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, and torn arrangements of card, before cataloguing the results. The project vigorously merged the documentary approach of forensic photography with staged interventions echoing performance, sculpture and installation art. Serving as a conceptual sabotaging of the delineations between such documentary and artistic practices, at a time when the truthfulness of photography was being called into question, Vandalism helped to establish Divola's highly distinctive photographic language.
John Divola
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Running, Falling, Flying, Floating, Crawling
Running, Falling, Flying, Floating, Crawling is a loose compendium of photographs and texts that picture, examine, explore, and / or suggest the human body in states of abandon, helplessness, terror, subjugation, serenity, and transcendence. Artists include Andre Kertesz, Yves Klein, Laurie Simmons, Maya Deren, Gideon Mendel, Bas Jan Ader, Chris Burden, Tabitha Soren, Nan Goldin, Rania Matar, John Divola, Harry Callahan, Sarah Charlesworth, and Francesca Woodman. Writers include David Campany, Lynne Tillman, Jennifer Blessing, Diane Seuss, Susan Bright, Gilda Williams, Marvin Heiferman, Maud Casey, and Carol Mavor.
Some Aesthetic Decisions
"A monograph of the work of Los Angeles-based artist Judy Fiskin. Includes duotone reproductions of 288 photographs made by Fiskin from 1973 to 1995, as well as an introduction, an interview with the artist, a chronology, and a bibliography"--Provided by publisher.
NZ Library
"Set One of the series highlights work by some of the most creative and influential photographic artists active in Los Angeles during the 1970s"--Nazraeli Press website, viewed July 10, 2014 (http://www.nazraeli.com/new-page).
John Divola
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