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Trio is a 162-page omnibus collection of three books of poetry by leading Australian poet John Tranter published over a period of wide-ranging stylistic experiment in the 1970s: Red Movie, his second book, published in 1972, Crying in Early Infancy, a collection of one hundred mainly free-verse sonnets (1977), and Dazed in the Ladies Lounge (1979).
Poetry. After a career of more than 40 years, John Tranter has become that paradoxical thing: the postmodern master. Ghosting others' poems, using 'proceduralist' approaches to composition and revising and mistranslating 'classic' works (such as Baudelaire's Les Fleurs du mal), Tranter produces something entirely original and--most importantly--superbly entertaining. The inventiveness of STARLIGHT seems unending, offering us a countless array of brilliant images and atmospheres, hilarious ideas and compelling mélanges of styles and registers. STARLIGHT could well be Tranter's masterpiece.--David McCooey John Tranter's STARLIGHT: 150 POEMS quite literally 'makes it new'--whether 'it' is Elio...
''Urban Myths:210 poems'' collects the best work to date from a poet considered one of the most original of his generation in Australia. A generous selection of new work is also included. Smart, wry and very stylish, John Tranter's poems investigate the vagaries of perception and the ability of language to converge life, imagination and art so that we arrive, unexpectedly, at the deepest human mysteries.
Four interlinked long narrative poems by one of Australias foremost poets, John Tranter
Wild About Books – essays on books and writing, about reading them and writing them, and publishing them and collecting them and preserving them in libraries. Essays about the shared experience of literature, the art and craft of writing, the pleasures of reading, the survival of five hundred years of print culture, together with reflections and suggestions on creative writing, on what to do, and how to do it, and on what I’ve done, and why I wrote this book and how I wrote that one, together with anecdotes from other writers’ experiences, from writers in person, and from the books they have written. ‘What strikes one first … is Wilding’s keen sense of literary integrity … an i...
Kevin Kearney-Audio Artist, Sound Designer, Location Sound Recordist follows the growth of television, television commercial production and filmmaking in Australia. The extremely small population of Australia up to the seventies allowed a major crossover in the arts between poets, musicians, writers, experimental filmmakers and entrepreneurs which in turn influenced the work of audio artists, like Kearney, in both their commercial and personal film work. Moreover because there is a paucity of information and very few books available on such people as audio artists, sound designers and location sound recordists, this book and the following volume will be invaluable to those interested in analogue sound on film production period.
Vols. 1-64 include extracts from correspondence.
Avant-garde poetry in the Antipodes causes all sorts of trouble for literary history. It is an avant-garde that seems to arrive too late and yet right on time. In 1897, Christopher Brennan made his own version of Un Coup de Des, the same year Mallarme published it in Cosmopolis. In the 1940s, the same period avant-gardism was declared dead or fatally injured due to the Ern Malley affair, Harry Hooton began writing a significant body of experimental poetry. From the 1950s to the 1970s, Australian Dada emerged 'belatedly' through figures like Jas H. Duke (Tristan Tzara had previously sung Aboriginal songs at the Cabaret Voltaire in 1916). First Nations and Migrant poets then began reinventing avant-garde poetry in the twentieth and early twenty-first centuries. This book maintains that such a confounding literary history poses a distinct challenge to the theories of the avant-gardes we have become accustomed to and changes our perspective of avant-garde time.
'Heart Starter' is John Tranter's twenty-fourth book of poems. It is made up of three parts: some poems related to 'The Best of the Best American Poetry 2013', some poems related to 'The Open Door: One Hundred Poems, One Hundred Years of 'Poetry' Magazine', and thirty or so poems, mainly rhymed sonnets, written by Tranter in recent years. In the case of the first two parts, the author started with loose drafts which borrowed the end-words of each line of some poems in each of the two books concerned. The poems engage in a typically oblique way with North American poetic culture, and with the world of poetry in general, and sometimes speak harshly about the nature of 'poetic insight'. The formal poems towards the end of the book take a bleak and sometimes humorous look at the contemporary world.
Includes entries for maps and atlases.